US Market News
1月前
PARAMOUNT PICTURES & WARNER MUSIC GROUP ANNOUNCE PARTNERSHIP FOR THEATRICAL FILMS FOCUSED ON ICONIC ARTISTS & SONGWRITERSMay 7, 2026 1:00 PM
PR Newswire (US) NEW YORK, May 7, 2026 /PRNewswire/ -- Paramount Pictures and Warner Music Group (NASDAQ: WMG) have announced a multi-year, first-look deal. The companies will partner on theatrical films, drawing on the lives and music of WMG's legendary and contemporary roster of iconic artists and songwriters.WMG and its production partner, Unigram, led by Amanda Ghost and Gregor Cameron, will work with Paramount to develop each project in collaboration with the artists and songwriters or their estates.Robert Kyncl, CEO of Warner Music Group, said: "This collaboration with Paramount unites two forward-looking and innovative companies, and together we're taking a fresh approach to the space. Every artist deserves to tell the stories behind their life and music in their own creative way, and we're excited to partner with our incredible talent and world-class filmmakers to bring these stories to the big screen, growing their audiences around the world."Josh Greenstein and Dana Goldberg, Co-Chairs of Paramount Pictures, said: "We're excited to partner with WMG and their extraordinary artists to create powerful theatrical experiences inspired by generation-defining music and talent."WMG and Unigram are represented by WME.Access accompanying image here.About Warner Music Group
Warner Music Group (WMG) brings together artists, songwriters, entrepreneurs, and technology that are moving entertainment culture across the globe. WMG's Recorded Music division includes renowned labels such as 10K Projects, 300 Entertainment, Asylum, Atlantic, Big Beat, EastWest, Elektra, Erato, Fueled By Ramen, Nonesuch, Parlophone, Reprise, Rhino, Roadrunner, Sire, Spinnin', Warner Records, Warner Classics, and Warner Records Nashville. WMG's music publishing arm, Warner Chappell Music, has a catalog of over one million copyrights spanning every musical genre, from the standards of the Great American Songbook to the biggest hits of the 21st century. Warner Music Group is also home to ADA, which supports the independent community, as well as artist services division WMX. Follow WMG on Instagram, X, TikTok, LinkedIn, and Facebook.About Paramount, a Skydance Corporation
Paramount, a Skydance Corporation (Nasdaq: PSKY) is a leading, next-generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. The Company's portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, SHOWTIME®, Paramount+, Pluto TV, Skydance Animation, Film, Television, and Interactive/Games, and the newly established Paramount Sports Entertainment. For more information, please visit www.paramount.com.Media Contacts:For Warner Music Group
Hannah Karp
Hannah.Karp@wmg.comFor Paramount Pictures
Allison McLarty
Allison.McLarty@paramount.comBrooke Robertson
Brooke_Robertson@paramount.com View original content to download multimedia:https://www.prnewswire.com/news-releases/paramount-pictures--warner-music-group-announce-partnership-for-theatrical-films-focused-on-iconic-artists--songwriters-302765979.htmlSOURCE Warner Music Group Corp. Original: PARAMOUNT PICTURES & WARNER MUSIC GROUP ANNOUNCE PARTNERSHIP FOR THEATRICAL FILMS FOCUSED ON ICONIC ARTISTS & SONGWRITERS
US Market News
2月前
WARNER MUSIC GROUP ANNOUNCES STRATEGIC INVESTMENT AND EXPANSIVE PARTNERSHIP WITH TUSTREAMSApril 13, 2026 2:10 PM
PR Newswire (US)
Global Alliance Will Accelerate Worldwide Growth for One of Música Mexicana's Leading Independent ForcesNEW YORK, April 13, 2026 /PRNewswire/ -- Warner Music Group (Nasdaq: WMG) today announced a landmark partnership with TuStreams, a leading independent force in the fast-growing Música Mexicana space, including a minority investment in the company.
As part of the agreement, Warner Music Group will serve as the global distribution partner for TuStreams' full catalog and future releases. The partnership brings together TuStreams' entrepreneurial vision with WMG's global infrastructure, unlocking new levels of scale, visibility, and opportunity across international markets.In addition, WMG and TuStreams will collaborate on joint artist signings, A&R, and creative development—establishing a powerful pipeline for emerging talent and creating new pathways into the global Warner ecosystem.Alejandro Duque, President, Warner Music Latin America & ADA said: "TuStreams is a force at the center of one of the most culturally significant movements in music today. Música Mexicana is a global priority for us—it's one of the fastest-growing and most impactful genres worldwide. This partnership deepens our commitment to investing in the leaders of the movement."Our role is to provide the global muscle—taking the incredible roster that Tony and his team have built and plugging it into our worldwide distribution and marketing network. By combining TuStreams' creative DNA and unmatched ability to identify the next generation of hitmakers with the global scale and long-term artist development expertise of Warner Music Group, we are uniquely positioned to take this culture further, faster than ever before."Founded in 2019 by Tony Larios, TuStreams has rapidly emerged as a premier destination for independent artists and labels, offering a comprehensive platform spanning digital distribution, artist services, and development. The company played an early role in the breakout success of Grupo Firme and has since become a key engine driving the evolution and global expansion of Música Mexicana.Today, TuStreams boasts a powerful and diverse roster, including influential names such as Jorge Medina, Panter Bélico, Gerardo Coronel, Cornelio Vega y Su Dinastia, and Anakin Larios. While rooted in Música Mexicana, the company has expanded into the broader Latin music landscape, working with global icons such as Gloria Trevi and Ivy Queen, and continuing to diversify into reggaeton and pop.Tony Larios, Founder of TuStreams, added: "This move is all about leveling up. We've built a powerhouse at TuStreams, and Warner Music Group is coming in as a strategic partner to help us scale faster and farther than we ever could alone.Our artists now get the best of both worlds—they keep the independent hustle and culture that defines TuStreams, while gaining access to Warner's global infrastructure to take their music to every corner of the world.We're also building something bigger for the next generation. Together, we're creating the most attractive home for independent artists—where they can access major-label reach without losing their identity. And while we've always been leaders in Música Mexicana, our work with artists like Gloria Trevi and Ivy Queen shows that our model translates across genres, from corridos to pop to reggaeton."Accompanying images here
Photographer credit: Mac B.About Warner Music Group
Warner Music Group (WMG) brings together artists, songwriters, entrepreneurs, and technology that are moving entertainment culture across the globe. WMG's Recorded Music division includes renowned labels such as 10K Projects, 300 Entertainment, Asylum, Atlantic, Big Beat, EastWest, Elektra, Erato, Fueled By Ramen, Nonesuch, Parlophone, Reprise, Rhino, Roadrunner, Sire, Spinnin', Warner Records, Warner Classics, and Warner Records Nashville. WMG's music publishing arm, Warner Chappell Music, has a catalog of over one million copyrights spanning every musical genre, from the standards of the Great American Songbook to the biggest hits of the 21st century. Warner Music Group is also home to ADA, which supports the independent community, as well as artist services division WMX. Follow WMG on Instagram, X, TikTok, LinkedIn, and Facebook.About TuStreams
TuStreams is a bilingual digital music distribution platform built to empower independent artists. especially within the global Latin community, to control their music, rights, and revenue. The platform delivers music to all major streaming services, while allowing creators to retain full ownership of their intellectual property. With transparent royalty tracking, real-time analytics, and automated collaborator payments, TuStreams simplifies the business side of music and supports artists at every stage. The company also provides advanced monetization tools such as YouTube Content ID protection and global royalty administration to help creators maximize earnings and safeguard their work. TuStreams has supported artists from their early development stages through major commercial success, including acts such as Grupo Firme, Panter Bélico, Xavi, Neton Vega, Luis Angel "El Flaco," Gerardo Coronel "El Jerry," and many others. This track record reflects the platform's commitment to elevating emerging talent and strengthening the presence of Latin music worldwide. TuStreams remains focused on an artist-first, culturally aligned approach that empowers creators and expands opportunities across the global music landscape.WMG Media Contact
Majeda Hussein
majeda.hussein@wmg.comTuStreams Media Contact
Joseph Fisher
NEXXT Management
Jfisher@nexxtmanagement.com
View original content to download multimedia:https://www.prnewswire.com/news-releases/warner-music-group-announces-strategic-investment-and-expansive-partnership-with-tustreams-302740806.htmlSOURCE Warner Music Group Corp.
Original: WARNER MUSIC GROUP ANNOUNCES STRATEGIC INVESTMENT AND EXPANSIVE PARTNERSHIP WITH TUSTREAMS
US Market News
2月前
WARNER MUSIC GROUP AGREES TO ACQUIRE REVELATOR, STATE-OF-THE-ART INDEPENDENT MUSIC PLATFORMApril 1, 2026 11:37 AM
PR Newswire (US)
Deal Marks Latest Move in WMG's Distribution and Label Services ExpansionNEW YORK, April 1, 2026 /PRNewswire/ -- Warner Music Group (NASDAQ: WMG) has entered into a definitive agreement to acquire Revelator, the innovative B2B music platform that serves the independent business worldwide. The transaction is subject to customary conditions and is expected to close next quarter.
Formed in 2012, Revelator specializes in digital music distribution, rights management, royalty accounting, and real-time analytics, and its integration with WMG post-closing will transform the suite of services that WMG labels and ADA offer to artists and the independent community, while scaling WMG's reach.Revelator currently supports hundreds of clients with cloud-based tools that streamline operations and financial reporting for artists, labels, and distributors. Among the full-stack platform's signature features are the state-of-the-art Revelator Pro, Revelator API and its White Label solutions. The Revelator organization boasts deep expertise in music, technology, and revenue management, and will bring that firepower to WMG's global operations, while continuing to service its current customers.WMG CEO Robert Kyncl said: "The combination of Revelator's leading-edge technology and array of premier services with our global infrastructure will turbocharge our joint mission to support more labels and artists around the world. I'm very pleased to welcome the Revelator team to the WMG family."Revelator Founder & CEO Bruno Guez said: "Since launching Revelator in 2012, we've striven to make the music industry fairer, simpler, and more transparent by bridging the gap between creativity, technology, and distribution. We're very happy to partner with WMG to superserve artists, labels, and distributors around the world."About Revelator
Revelator is an independent partner for the music industry, providing the operational infrastructure artists, labels, distributors, and music technology companies need to distribute, manage, and monetize music with speed, clarity, and control. With a global footprint and customer base, Revelator is the trusted partner for forward-thinking independent music businesses. Follow Revelator on Instagram, LinkedIn and YouTube.About Warner Music Group
Warner Music Group (WMG) brings together artists, songwriters, entrepreneurs, and technology that are moving entertainment culture across the globe. WMG's Recorded Music division includes renowned labels such as 10K Projects, 300 Entertainment, Asylum, Atlantic, Big Beat, EastWest, Elektra, Erato, Fueled By Ramen, Nonesuch, Parlophone, Reprise, Rhino, Roadrunner, Sire, Spinnin', Warner Records, Warner Classics, and Warner Records Nashville. WMG's music publishing arm, Warner Chappell Music, has a catalog of over one million copyrights spanning every musical genre, from the standards of the Great American Songbook to the biggest hits of the 21st century. Warner Music Group is also home to ADA, which supports the independent community, as well as artist services division WMX. Follow WMG on Instagram, X, TikTok, LinkedIn, and Facebook.Media Contacts:
For Warner Music Group
Hannah Karp
Hannah.Karp@wmg.comFor Revelator
Ahuva Berger-Bucat
ahuva@revelator.comLogo - https://mma.prnewswire.com/media/1686132/5895861/WMG_Black_Logo.jpg
View original content:https://www.prnewswire.co.uk/news-releases/warner-music-group-agrees-to-acquire-revelator-state-of-the-art-independent-music-platform-302731489.html
Original: WARNER MUSIC GROUP AGREES TO ACQUIRE REVELATOR, STATE-OF-THE-ART INDEPENDENT MUSIC PLATFORM
US Market News
2月前
WARNER MUSIC GROUP AGREES TO ACQUIRE REVELATOR, STATE-OF-THE-ART INDEPENDENT MUSIC PLATFORMApril 1, 2026 11:21 AM
PR Newswire (US)
Deal Marks Latest Move in WMG's Distribution and Label Services ExpansionNEW YORK, April 1, 2026 /PRNewswire/ -- Warner Music Group (NASDAQ: WMG) has entered into a definitive agreement to acquire Revelator, the innovative B2B music platform that serves the independent business worldwide. The transaction is subject to customary conditions and is expected to close next quarter.
Formed in 2012, Revelator specializes in digital music distribution, rights management, royalty accounting, and real-time analytics, and its integration with WMG post-closing will transform the suite of services that WMG labels and ADA offer to artists and the independent community, while scaling WMG's reach.Revelator currently supports hundreds of clients with cloud-based tools that streamline operations and financial reporting for artists, labels, and distributors. Among the full-stack platform's signature features are the state-of-the-art Revelator Pro, Revelator API and its White Label solutions. The Revelator organization boasts deep expertise in music, technology, and revenue management, and will bring that firepower to WMG's global operations, while continuing to service its current customers.WMG CEO Robert Kyncl said: "The combination of Revelator's leading-edge technology and array of premier services with our global infrastructure will turbocharge our joint mission to support more labels and artists around the world. I'm very pleased to welcome the Revelator team to the WMG family."Revelator Founder & CEO Bruno Guez said: "Since launching Revelator in 2012, we've striven to make the music industry fairer, simpler, and more transparent by bridging the gap between creativity, technology, and distribution. We're very happy to partner with WMG to superserve artists, labels, and distributors around the world."About Revelator
Revelator is an independent partner for the music industry, providing the operational infrastructure artists, labels, distributors, and music technology companies need to distribute, manage, and monetize music with speed, clarity, and control. With a global footprint and customer base, Revelator is the trusted partner for forward-thinking independent music businesses. Follow Revelator on Instagram, LinkedIn and YouTube.About Warner Music Group
Warner Music Group (WMG) brings together artists, songwriters, entrepreneurs, and technology that are moving entertainment culture across the globe. WMG's Recorded Music division includes renowned labels such as 10K Projects, 300 Entertainment, Asylum, Atlantic, Big Beat, EastWest, Elektra, Erato, Fueled By Ramen, Nonesuch, Parlophone, Reprise, Rhino, Roadrunner, Sire, Spinnin', Warner Records, Warner Classics, and Warner Records Nashville. WMG's music publishing arm, Warner Chappell Music, has a catalog of over one million copyrights spanning every musical genre, from the standards of the Great American Songbook to the biggest hits of the 21st century. Warner Music Group is also home to ADA, which supports the independent community, as well as artist services division WMX. Follow WMG on Instagram, X, TikTok, LinkedIn, and Facebook.Media Contacts:
For Warner Music Group
Hannah Karp
Hannah.Karp@wmg.comFor Revelator
Ahuva Berger-Bucat
ahuva@revelator.com
View original content to download multimedia:https://www.prnewswire.com/news-releases/warner-music-group-agrees-to-acquire-revelator-state-of-the-art-independent-music-platform-302731480.htmlSOURCE Warner Music Group Corp.
Original: WARNER MUSIC GROUP AGREES TO ACQUIRE REVELATOR, STATE-OF-THE-ART INDEPENDENT MUSIC PLATFORM
US Market News
4月前
Warner Music Group Corp. Reports Results for Fiscal First Quarter Ended December 31, 2025February 5, 2026 4:02 PM
Business Wire
Financial Highlights
High-Single-Digit Revenue Growth Reflects Broad-Based Strength Across Recorded Music and Music Publishing
Continued Market Share Gains and Healthy Underlying Trends Drive Acceleration in Recorded Music Streaming Growth
Double-Digit Margin Expansion and Operating Cash Flow Growth Supported by Operating Performance and Cost-Savings Delivery
2026 Outlook Underpinned by Strategic Plan to Accelerate Growth through Investments in Core Business, Expansion of Monetization Opportunities, and Cost Savings Initiatives Which Will Drive 150 to 200 Basis Points of Margin Improvement
For the three months ended December 31, 2025
Total revenue increased 10%, or 7% in constant currency
Net income was $175 million compared to $241 million in the prior-year quarter
Operating income increased 35% to $288 million versus $214 million in the prior-year quarter
Adjusted OIBDA increased 28% to $463 million versus $363 million in the prior-year quarter, or 22% in constant currency
Cash provided by operating activities increased to $440 million versus $332 million in the prior-year quarter
Warner Music Group Corp. today announced its first-quarter financial results for the period ended December 31, 2025.
“2026 is off to a strong start as our creative success continues to fuel consistent market share growth and financial performance,” said Robert Kyncl, CEO, Warner Music Group. “We have an exciting slate of new music ahead and are leading the charge with AI to drive a step change in value creation for artists, songwriters, and shareholders, ensuring that WMG is well-positioned for long-term success.”
“We are delivering on our promises by combining significant transformation with accelerated growth and profitability, marking our third consecutive quarter of broad-based success,” said Armin Zerza, CFO, Warner Music Group. “By fortifying our core through strategic investments and pioneering ethical AI partnerships, we have established a solid foundation to drive sustainable, long-term value for our artists and shareholders alike. This is just the beginning of our momentum, and we are well-positioned to accelerate our growth even further in 2026."
Total WMG
Total WMG Summary Results
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
% Change
(unaudited)
(unaudited)
Revenue
$
1,840
$
1,666
10
%
Recorded Music revenue
1,480
1,345
10
%
Music Publishing revenue
362
323
12
%
Operating income
288
214
35
%
Adjusted OIBDA(1)
463
363
28
%
Net income
175
241
-27
%
Net cash provided by operating activities
440
332
33
%
Free Cash Flow
420
296
42
%
(1) See "Supplemental Disclosures Regarding Non-GAAP Financial Measures" at the end of this release for details regarding this measure.
Revenue was up 10.4% (or 7.1% in constant currency). Recorded Music revenue was impacted by a digital revenue settlement of $12 million in the quarter and a $7 million downward revenue true-up in the prior-year quarter (the “DSP True-Up and Settlement Payments”). Consistent with prior quarters, Recorded Music revenue growth was also unfavorably impacted by the termination of the distribution agreement with BMG (the “BMG Termination”), which resulted in $6 million less Recorded Music digital revenue compared to the prior-year quarter. Music Publishing revenue was impacted by $17 million of revenue in the prior-year quarter recognized in connection with historical matched royalties that were processed to date by the Mechanical Licensing Collective (the “MLC Historical Matched Royalties”). Excluding these items, total revenue increased 10.8% (or 7.4% in constant currency).
Digital revenue was up 10.0% (or 7.1% in constant currency) and streaming revenue was up 10.7% (or 7.6% in constant currency). Recorded Music streaming revenue increased 12.4% (or 9.1% in constant currency); however, adjusted for the impacts of the DSP True-Up and Settlement Payments of $12 million in the quarter and $7 million in the prior-year quarter, as well as the $6 million impact of the BMG Termination, Recorded Music streaming revenue was up 10.9% (or 7.6% in constant currency). Music Publishing streaming revenue increased 3.4% (or 1.4% in constant currency); however, adjusted for the $17 million impact of the MLC Historical Matched Royalties, Music Publishing streaming revenue was up 12.8% (or 10.4% in constant currency). The increase in total revenue was also driven by higher Recorded Music artist services and expanded-rights and licensing revenue, and growth across Music Publishing synchronization, performance and mechanical revenue, partially offset by lower Recorded Music physical revenue.
Operating income increased 34.6% (or 26.3% in constant currency) to $288 million from $214 million in the prior-year quarter primarily due to the factors affecting Adjusted OIBDA discussed below, partially offset by higher amortization expense of $11 million, an increase in restructuring and impairment charges of $7 million, and the impact of a $5 million net loss on divestitures in the quarter.
Adjusted OIBDA increased 27.5% (or 22.2% in constant currency) to $463 million from $363 million and Adjusted OIBDA margin increased 3.4 percentage points to 25.2% from 21.8% in the prior-year quarter (or 3.1 percentage points from 22.1% in constant currency). The increases include the impact of the DSP True-Up and Settlement Payments of $7 million in the quarter and $4 million in the prior-year quarter, as well as the MLC Historical Matched Royalties of $4 million in the prior-year quarter. Excluding these items, Adjusted OIBDA increased 25.6% (or 20.3% in constant currency) and Adjusted OIBDA margin increased 2.9 percentage points to 24.9% from 22.0% (or 2.6 percentage points from 22.3% in constant currency). The increases in Adjusted OIBDA and Adjusted OIBDA margin were primarily driven by revenue mix, savings from the Company’s restructuring plans, a portion of which has been reinvested into the Company’s business, and favorable movements in currency exchange rates of approximately $25 million.
Net income was $175 million compared to $241 million in the prior-year quarter. The decrease in net income was due to the impact of exchange rates on the Company’s Euro-denominated debt resulting in a $1 million loss in the quarter compared to a $61 million gain in the prior-year quarter, a currency exchange gain on intercompany loans of $1 million in the quarter compared to a $46 million gain in the prior-year quarter, and a realized and unrealized loss on hedging activity of $1 million in the quarter compared to a $15 million gain in the prior-year quarter. The decrease in net income was partially offset by an $18 million decrease in income tax expense, primarily due to a decrease in pre-tax income in the quarter, as well as the factors described above.
Basic and Diluted earnings per share were $0.33 for both the Class A and Class B shareholders due to the net income attributable to the Company in the quarter of $175 million.
As of December 31, 2025, the Company reported a cash balance of $751 million, total debt of $4.371 billion and net debt (defined as total debt, net of deferred financing costs, premiums and discounts, minus cash and equivalents) of $3.620 billion. Total debt includes $303 million of subsidiary debt acquired in the Company’s acquisition of Tempo Music Holdings, LLC (“Tempo Music”) and $4 million in loans outstanding under a Credit and Security Agreement, dated as of June 29, 2025, pursuant to which the lenders have agreed to extend up to $500 million to Beethoven Financing 1, LLC, an indirect subsidiary of the Company. This debt is secured only by certain music rights owned by Tempo Music and Beethoven JV 1, LLC, our joint venture with Bain Capital (“Beethoven”), respectively, and is nonrecourse to the Company and its subsidiaries, other than Tempo Music and Beethoven, respectively.
Cash provided by operating activities increased 33% to $440 million in the quarter compared to $332 million in the prior-year quarter. The increase was largely a result of operating performance. Free Cash Flow, as defined below, increased to $420 million from $296 million in the prior-year quarter, primarily due to the factors affecting cash provided by operating activities described above and due to a decrease in capital expenditures of 44% to $20 million from $36 million in the prior-year quarter, driven by higher investments in technology in the prior-year quarter.
Recorded Music
Recorded Music Summary Results
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
% Change
(unaudited)
(unaudited)
Revenue
$
1,480
$
1,345
10
%
Operating income
329
238
38
%
Adjusted OIBDA(1)
403
323
25
%
(1) See "Supplemental Disclosures Regarding Non-GAAP Financial Measures" at the end of this release for details regarding this measure.
Recorded Music Revenue
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
For the Three Months Ended December 31, 2024
As reported
As reported
Constant
(unaudited)
(unaudited)
(unaudited)
Digital
$
976
$
873
$
899
Physical
152
166
171
Total Digital and Physical
1,128
1,039
1,070
Artist services and expanded-rights
231
196
205
Licensing
121
110
113
Total Recorded Music
$
1,480
$
1,345
$
1,388
Recorded Music revenue was up 10.0% (or 6.6% in constant currency) driven by increases across digital, artist services and expanded-rights and licensing revenue, partially offset by a decrease in physical revenue. Excluding the impacts of the DSP True-Up and Settlement Payments of $12 million in the quarter and $7 million in the prior-year quarter, as well as the $6 million impact of the BMG Termination, Recorded Music revenue was up 9.1% (or 5.7% in constant currency). Digital revenue was up 11.8% (or 8.6% in constant currency) and streaming revenue was up 12.4% (or 9.1% in constant currency). Adjusted for the impacts of the DSP True-Up and Settlement Payments of $12 million in the quarter and $7 million in the prior-year quarter, as well as the $6 million impact of the BMG Termination, Recorded Music digital revenue was up 10.3% (or 7.1% in constant currency) and streaming revenue was up 10.9% (or 7.6% in constant currency). Streaming revenue reflects growth in subscription revenue of 14.3% (or 10.9% in constant currency) and in ad-supported revenue of 7.2% (or 3.9% in constant currency). Subscription revenue, adjusted for the impacts of the DSP True-Up and Settlement Payments of $12 million in the quarter and $7 million in the prior-year quarter, as well as the $5 million impact of the BMG Termination, was up 12.0% (or 8.7% in constant currency). Ad-supported revenue, adjusted for the $1 million impact of the BMG Termination, was up 7.7% (or 4.4% in constant currency). The increase in subscription revenue reflects positive market share trends and chart performance, while the increase in ad-supported revenue reflects strong performance in the quarter. Artist services and expanded-rights revenue was up 17.9% (or 12.7% in constant currency) due to higher concert promotion revenue primarily in France, and the favorable impact of foreign currency exchange rates of $9 million. Licensing revenue increased 10.0% (or 7.1% in constant currency) driven by higher licensing activity and a $2 million increase in copyright infringement settlements in the quarter. Physical revenue decreased 8.4% (or 11.1% in constant currency) primarily driven by strong releases in Japan and Korea in the prior-year quarter. Top sellers in the quarter included Alex Warren, sombr, Cardi B, Ed Sheeran, and Teddy Swims.
Recorded Music operating income increased 38.2% (or 31.1% in constant currency) to $329 million from $238 million in the prior-year quarter, and operating margin was up 4.5 percentage points to 22.2% versus 17.7% in the prior-year quarter (or up 4.1 percentage points from 18.1% in constant currency). The increase in operating income and operating income margin was driven by the factors affecting Adjusted OIBDA discussed below, as well as decreases in restructuring and impairment charges of $6 million and depreciation expense of $3 million, partially offset by higher amortization expense of $4 million attributable to acquisitions of music-related assets.
Adjusted OIBDA increased 24.8% (or 19.6% in constant currency) to $403 million from $323 million and Adjusted OIBDA margin increased 3.2 percentage points to 27.2% from 24.0% in the prior-year quarter (or increased 2.9 percentage points from 24.3% in constant currency). The increases include the impact of the DSP True-Up and Settlement Payments of $7 million in the quarter and $4 million in the prior-year quarter. Excluding these items, Adjusted OIBDA increased 21.1% (or 16.1% in constant currency) and Adjusted OIBDA margin increased 2.7 percentage points to 27.0% from 24.3% (or 2.4 percentage points from 24.6% in constant currency). The increases in Adjusted OIBDA and Adjusted OIBDA margin were primarily driven by savings from the Company’s restructuring plans, of which a portion has been reinvested in the Company’s business, and favorable movements in foreign currency exchange rates of approximately $18 million.
Music Publishing
Music Publishing Summary Results
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
% Change
(unaudited)
(unaudited)
Revenue
$
362
$
323
12
%
Operating income
65
55
18
%
Adjusted OIBDA(1)
102
83
23
%
(1) See "Supplemental Disclosures Regarding Non-GAAP Financial Measures" at the end of this release for details regarding this measure.
Music Publishing Revenue
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
For the Three Months Ended December 31, 2024
As reported
As reported
Constant
(unaudited)
(unaudited)
(unaudited)
Performance
$
64
$
56
$
58
Digital
215
207
212
Mechanical
18
14
15
Synchronization
60
39
39
Other
5
7
7
Total Music Publishing
$
362
$
323
$
331
Music Publishing revenue was up 12.1% (or 9.4% in constant currency) driven by growth across digital, synchronization, performance, and mechanical revenue. Excluding the impact of the MLC Historical Matched Royalties, Music Publishing revenue was up 18.3% (or 15.3% in constant currency). Digital revenue increased 3.9% (or 1.4% in constant currency) and streaming revenue increased 3.4% (or 1.4% in constant currency). Adjusted for the impact of the MLC Historical Matched Royalties, streaming revenue increased 12.8% (or 10.4% in constant currency) driven by the impact of new deals and renewals. Synchronization revenue increased 53.8% (the same in constant currency) due to higher television and commercial licensing activity, a $3 million increase in copyright infringement settlements, and the $3 million impact of the Company’s acquisition of Tempo Music. Performance revenue increased 14.3% (or 10.3% in constant currency) attributable to growth from concerts, radio and live events. Mechanical revenue increased 28.6% (or 20.0% in constant currency) driven by the timing of distributions.
Music Publishing operating income was up 18.2% (or 16.1% in constant currency) to $65 million from $55 million in the prior-year quarter and operating margin increased 1.0 percentage point to 18.0% from 17.0% in the prior-year quarter (or 1.1 percentage points from 16.9% in constant currency). The increase in operating income was driven by the same factors affecting Adjusted OIBDA discussed below, partially offset by an increase in amortization expense of $8 million in the quarter related to the impact of acquisitions.
Music Publishing Adjusted OIBDA increased 22.9% (or 19.4% in constant currency) to $102 million from $83 million in the prior-year quarter. Adjusted OIBDA margin increased 2.5 percentage points to 28.2% from 25.7% in the prior-year quarter (or 2.4 percentage points from 25.8% in constant currency). The increases in Adjusted OIBDA and Adjusted OIBDA margin were primarily driven by revenue mix and includes the $4 million impact of the MLC Historical Matched Royalties, and favorable movements in foreign exchange rates of approximately $7 million.
Recent Announcements
In addition, the Company also announced today that its Board of Directors declared a regular quarterly cash dividend of $0.19 per share on the Company’s Class A Common Stock and Class B Common Stock. The dividend is payable on March 3, 2026, to stockholders of record as of the close of business on February 18, 2026.
Financial details for the quarter can be found in the Company’s current Quarterly Report on Form 10-Q for the period ended December 31, 2025, which we plan to file on Monday, February 9, 2026, with the Securities and Exchange Commission.
This afternoon management will be hosting a conference call to discuss the results at 4:30 P.M. EST. The call will be webcast on www.wmg.com.
About Warner Music Group
With a legacy extending back over 200 years, Warner Music Group today is home to an unparalleled family of creative artists, songwriters, and companies that are moving culture across the globe. At the core of WMG’s Recorded Music division are four of the most iconic companies in history: Atlantic, Elektra, Parlophone and Warner Records. They are joined by renowned labels such as TenThousand Projects, 300 Entertainment, Asylum, Big Beat, Canvasback, East West, Erato, FFRR, Fueled by Ramen, Nonesuch, Reprise, Rhino, Roadrunner, Sire, Spinnin’ Records, Warner Classics and Warner Music Nashville. Warner Chappell Music - which traces its origins back to the founding of Chappell & Company in 1811 - is one of the world's leading music publishers, with a catalog of more than one million copyrights spanning every musical genre from the standards of the Great American Songbook to the biggest hits of the 21st century.
"Safe Harbor" Statement under Private Securities Litigation Reform Act of 1995
This communication includes forward-looking statements that reflect the current views of Warner Music Group about future events and financial performance. Words such as "estimates," "expects," "anticipates," "projects," "plans," "intends," "believes," "forecasts" and variations of such words or similar expressions that predict or indicate future events or trends, or that do not relate to historical matters, identify forward-looking statements. All forward-looking statements are made as of today, and we disclaim any duty to update such statements. Our expectations, beliefs and projections are expressed in good faith and we believe there is a reasonable basis for them. However, we cannot assure you that management's expectations, beliefs and projections will result or be achieved. Investors should not rely on forward-looking statements because they are subject to a variety of risks, uncertainties, and other factors that could cause actual results to differ materially from our expectations. Please refer to our Form 10-K, Form 10-Qs and our other filings with the U.S. Securities and Exchange Commission concerning factors that could cause actual results to differ materially from those described in our forward-looking statements.
We maintain an Internet site at www.wmg.com. We use our website as a channel of distribution for material company information. Financial and other material information regarding Warner Music Group is routinely posted on and accessible at http://investors.wmg.com. In addition, you may automatically receive email alerts and other information about Warner Music Group by enrolling your email address through the “email alerts” section at http://investors.wmg.com. Our website and the information posted on it or connected to it shall not be deemed to be incorporated by reference into this communication.
Figure 1. Warner Music Group Corp. - Condensed Consolidated Statements of Operations, Three Months Ended December 31, 2025 versus December 31, 2024
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
% Change
(unaudited)
(unaudited)
Revenue
$
1,840
$
1,666
10
%
Cost and expenses:
Cost of revenue
(987
)
(894
)
10
%
Selling, general and administrative expenses
(458
)
(474
)
-3
%
Restructuring and impairments
(34
)
(27
)
26
%
Amortization expense
(68
)
(57
)
19
%
Total costs and expenses
$
(1,547
)
$
(1,452
)
7
%
Net loss on divestiture
(5
)
—
—
%
Operating income
$
288
$
214
35
%
Loss on extinguishment of debt
—
—
—
%
Interest expense, net
(45
)
(37
)
22
%
Other income, net
3
153
-98
%
Income before income taxes
$
246
$
330
-25
%
Income tax expense
(71
)
(89
)
-20
%
Net income
$
175
$
241
-27
%
Less: (Income) loss attributable to noncontrolling interest
1
(5
)
—
%
Net income attributable to Warner Music Group Corp.
$
176
$
236
-25
%
Net income per share attributable to common stockholders:
Class A – Basic and Diluted
$
0.33
$
0.45
Class B – Basic and Diluted
$
0.33
$
0.45
Figure 2. Warner Music Group Corp. - Condensed Consolidated Balance Sheets at December 31, 2025 versus September 30, 2025
(dollars in millions)
December 31, 2025
September 30, 2025
% Change
(unaudited)
Assets
Current assets:
Cash and equivalents
$
751
$
532
41
%
Accounts receivable, net
1,374
1,340
3
%
Inventories
60
62
-3
%
Royalty advances expected to be recouped within one year
584
581
1
%
Assets held for sale
80
89
-10
%
Prepaid and other current assets
169
166
2
%
Total current assets
$
3,018
$
2,770
9
%
Royalty advances expected to be recouped after one year
1,082
1,079
—
%
Property, plant and equipment, net
418
441
-5
%
Operating lease right-of-use assets, net
179
189
-5
%
Goodwill
2,063
2,061
—
%
Intangible assets subject to amortization, net
2,690
2,725
-1
%
Intangible assets not subject to amortization
154
154
—
%
Deferred tax assets, net
90
111
-19
%
Other assets
317
299
6
%
Total assets
$
10,011
$
9,829
2
%
Liabilities, Redeemable Noncontrolling Interest and Equity
Current liabilities:
Accounts payable
$
201
$
257
-22
%
Accrued royalties
2,938
2,740
7
%
Accrued liabilities
667
666
—
%
Accrued interest
39
31
26
%
Operating lease liabilities, current
47
43
9
%
Deferred revenue
246
286
-14
%
Liabilities held for sale
48
49
-2
%
Other current liabilities
124
129
-4
%
Total current liabilities
$
4,310
$
4,201
3
%
Acquisition Corp. long-term debt
4,064
4,063
—
%
Other long-term debt
307
302
2
%
Operating lease liabilities, noncurrent
188
200
-6
%
Deferred tax liabilities, net
169
164
3
%
Other noncurrent liabilities
144
142
1
%
Total liabilities
$
9,182
$
9,072
1
%
Redeemable noncontrolling interests
5
—
—
%
Equity:
Class A common stock
$
—
$
—
—
%
Class B common stock
1
1
—
%
Additional paid-in capital
2,154
2,166
-1
%
Accumulated deficit
(1,255
)
(1,331
)
-6
%
Accumulated other comprehensive loss, net
(180
)
(189
)
-5
%
Total Warner Music Group Corp. equity
$
720
$
647
11
%
Noncontrolling interest
104
110
-5
%
Total equity
824
757
9
%
Total liabilities, redeemable noncontrolling interest and equity
$
10,011
$
9,829
2
%
Figure 3. Warner Music Group Corp. - Summarized Statements of Cash Flows, Three Months Ended December 31, 2025 versus December 31, 2024
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
(unaudited)
(unaudited)
Net cash provided by operating activities
$
440
$
332
Net cash used in investing activities
(52
)
(81
)
Net cash used in financing activities
(159
)
(127
)
Effect of foreign currency exchange rates on cash and equivalents
3
(16
)
Cash balances classified as assets held for sale
(16
)
$
—
Net increase in cash and equivalents
$
216
$
108
Figure 4. Warner Music Group Corp. - Digital Revenue Summary, Three Months Ended December 31, 2025 versus December 31, 2024
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
% Change
(unaudited)
(unaudited)
Recorded Music
Subscription
$
721
$
631
14
%
Ad-Supported
239
223
7
%
Streaming
$
960
$
854
12
%
Downloads and Other Digital
16
19
-16
%
Total Recorded Music Digital Revenue
$
976
$
873
12
%
Music Publishing
Streaming
$
212
$
205
3
%
Downloads and Other Digital
3
2
50
%
Total Music Publishing Digital Revenue
$
215
$
207
4
%
Consolidated
Streaming
$
1,172
$
1,059
11
%
Downloads and Other Digital
19
21
-10
%
Intersegment Eliminations
(1
)
2
—
%
Total Digital Revenue
$
1,190
$
1,082
10
%
Supplemental Disclosures Regarding Non-GAAP Financial Measures
We evaluate our operating performance based on several factors, including the following non-GAAP financial measure:
Adjusted OIBDA
We allocate resources and evaluate performance based on several factors, including Adjusted OIBDA. We define Adjusted OIBDA as operating income (loss) adjusted to exclude the following items: (i) non-cash depreciation of tangible assets, (ii) non-cash amortization of intangible assets, (iii) non-cash stock-based compensation and other related expenses, (iv) gains or losses on divestitures, (v) expenses related to restructuring and transformation initiatives, which includes costs associated with the Company’s financial transformation initiative to design and implement new information technology and upgrade our finance infrastructure, and (vi) executive transition costs. Items excluded are not viewed to contribute directly to management’s evaluation of operating results. We consider Adjusted OIBDA to be an important indicator of the operational strengths and performance of our businesses. However, a limitation of the use of Adjusted OIBDA as a performance measure is that it does not reflect the periodic costs of certain capitalized tangible and intangible assets used in generating revenues in our businesses. Accordingly, Adjusted OIBDA should be considered in addition to, not as a substitute for, operating income (loss), net income (loss) attributable to Warner Music Group Corp. and other measures of financial performance reported in accordance with United States generally accepted accounting principles (“U.S. GAAP”). In addition, our definition of Adjusted OIBDA may differ from similarly titled measures used by other companies.
Figure 5. Warner Music Group Corp. - Reconciliation of Net Income to Adjusted OIBDA, Three Months Ended December 31, 2025 versus December 31, 2024
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
% Change
(unaudited)
(unaudited)
Net income attributable to Warner Music Group Corp.
$
176
$
236
-25
%
Income attributable to noncontrolling interest
(1
)
5
—
%
Net income
$
175
$
241
-27
%
Income tax expense
71
89
-20
%
Income including income taxes
$
246
$
330
-25
%
Other income, net
(3
)
(153
)
-98
%
Interest expense, net
45
37
22
%
Operating income
$
288
$
214
35
%
Amortization expense
68
57
19
%
Depreciation expense
31
29
7
%
Restructuring and impairments
34
27
26
%
Transformation initiative costs
17
17
—
%
Net loss on divestitures
5
—
—
%
Non-cash stock-based compensation and other related costs
20
19
5
%
Adjusted OIBDA
$
463
$
363
28
%
Operating income margin
15.7
%
12.8
%
Adjusted OIBDA margin
25.2
%
21.8
%
Figure 6. Warner Music Group Corp. - Reconciliation of Segment Operating Income to Adjusted OIBDA, Three Months Ended December 31, 2025 versus December 31, 2024
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
% Change
(unaudited)
(unaudited)
Total WMG operating income – GAAP
$
288
$
214
35
%
Depreciation and amortization expense
99
86
15
%
Restructuring and impairments
34
27
26
%
Transformation initiative costs
17
17
—
%
Net loss on divestitures
5
—
—
%
Non-cash stock-based compensation and other related costs
20
19
5
%
Total WMG Adjusted OIBDA
$
463
$
363
28
%
Total WMG Adjusted OIBDA margin
25.2
%
21.8
%
Recorded Music operating income – GAAP
$
329
$
238
38
%
Depreciation and amortization expense
46
45
2
%
Restructuring and impairments
22
28
-21
%
Non-cash stock-based compensation and other related costs
$
6
$
12
-50
%
Recorded Music Adjusted OIBDA
$
403
$
323
25
%
Recorded Music Adjusted OIBDA margin
27.2
%
24.0
%
Music Publishing operating income – GAAP
$
65
$
55
18
%
Depreciation and amortization expense
35
27
30
%
Net loss on divestitures
—
—
—
%
Non-cash stock-based compensation and other related costs
2
1
100
%
Music Publishing Adjusted OIBDA
$
102
$
83
23
%
Music Publishing Adjusted OIBDA margin
28.2
%
25.7
%
Constant Currency
Because exchange rates are an important factor in understanding period-to-period comparisons, we believe the presentation of revenue on a constant-currency basis in addition to reported revenue helps improve the ability to understand our operating results and evaluate our performance in comparison to prior periods. Constant-currency information compares results between periods as if exchange rates had remained constant period over period. We use results on a constant-currency basis as one measure to evaluate our performance. We calculate constant-currency results by applying current-year foreign currency exchange rates to prior-year results. However, a limitation of the use of the constant-currency results as a performance measure is that it does not reflect the impact of exchange rates on our revenue. These results should be considered in addition to, not as a substitute for, results reported in accordance with U.S. GAAP. Results on a constant-currency basis, as we present them, may not be comparable to similarly titled measures used by other companies and are not a measure of performance presented in accordance with U.S. GAAP.
Figure 7. Warner Music Group Corp. - Revenue by Geography and Segment, Three Months Ended December 31, 2025 versus December 31, 2024 As Reported and Constant Currency
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
For the Three Months Ended December 31, 2024
% Change
As reported
As reported
Constant
Constant
(unaudited)
(unaudited)
(unaudited)
(unaudited)
U.S. revenue
Recorded Music
$
577
$
532
$
532
8
%
Music Publishing
190
173
173
10
%
International revenue
Recorded Music
$
903
$
813
$
856
5
%
Music Publishing
172
150
158
9
%
Intersegment eliminations
(2
)
(2
)
(1
)
100
%
Total Revenue
$
1,840
$
1,666
$
1,718
7
%
Revenue by Segment:
Recorded Music
Digital
$
976
$
873
$
899
9
%
Physical
152
166
171
-11
%
Total Digital and Physical
$
1,128
$
1,039
$
1,070
5
%
Artist services and expanded-rights
231
196
205
13
%
Licensing
121
110
113
7
%
Total Recorded Music
$
1,480
$
1,345
$
1,388
7
%
Music Publishing
Performance
$
64
$
56
$
58
10
%
Digital
215
207
212
1
%
Mechanical
18
14
15
20
%
Synchronization
60
39
39
54
%
Other
5
7
7
-29
%
Total Music Publishing
$
362
$
323
$
331
9
%
Intersegment eliminations
(2
)
(2
)
(1
)
100
%
Total Revenue
$
1,840
$
1,666
$
1,718
7
%
Figure 8. Warner Music Group Corp. - Adjusted OIBDA by Segment, Three Months Ended December 31, 2025 versus December 31, 2024 As Reported and Constant Currency
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
For the Three Months Ended December 31, 2024
Change %
As reported
As reported
Constant
Constant
(unaudited)
(unaudited)
(unaudited)
(unaudited)
Total WMG Adjusted OIBDA
$
463
$
363
$
379
22.2
%
Adjusted OIBDA margin
25.2
%
21.8
%
22.1
%
Recorded Music Adjusted OIBDA
$
403
$
323
$
337
19.6
%
Recorded Music Adjusted OIBDA margin
27.2
%
24.0
%
24.3
%
Music Publishing Adjusted OIBDA
$
102
$
83
$
85
19.4
%
Music Publishing Adjusted OIBDA margin
28.2
%
25.7
%
25.8
%
Figure 9. Warner Music Group Corp. - Notable Items, As Reported
(dollars in millions)
FY 2026
FY 2025
Three Months Ended December 31, 2025
Three Months Ended December 31, 2024
Revenue
Recorded Music
Streaming - BMG Termination (a)
—
6
Streaming - DSP True-up and Settlement Payments
12
(7
)
Music Publishing
Streaming - MLC Historical Matched Royalties
—
17
Adjusted OIBDA
Recorded Music
DSP True-up and Settlement Payments
7
(4
)
Music Publishing
MLC Historical Matched Royalties
—
4
(a) The BMG Termination impact shown in FY 2025 represents the incremental revenue compared to the current fiscal year.
Free Cash Flow
Our definition of Free Cash Flow is defined as cash flow provided by operating activities less capital expenditures. We use Free Cash Flow, among other measures, to evaluate our operating performance. Management believes Free Cash Flow provides investors with an important perspective on the cash available to fund our debt service requirements, ongoing working capital requirements, capital expenditure requirements, strategic acquisitions and investments, and any dividends, prepayments of debt or repurchases or retirement of our outstanding debt or notes in open market purchases, privately negotiated purchases, any repurchases of our common stock or otherwise. As a result, Free Cash Flow is a significant measure of our ability to generate long-term value. It is useful for investors to know whether this ability is being enhanced or degraded as a result of our operating performance. We believe the presentation of Free Cash Flow is relevant and useful for investors because it allows investors to view performance in a manner similar to the method management uses.
Free Cash Flow is not a measure of performance calculated in accordance with U.S. GAAP and therefore it should not be considered in isolation of, or as a substitute for, net income (loss) as an indicator of operating performance or cash flow provided by operating activities as a measure of liquidity. Free Cash Flow, as we calculate it, may not be comparable to similarly titled measures employed by other companies. In addition, Free Cash Flow does not necessarily represent funds available for discretionary use and is not necessarily a measure of our ability to fund our cash needs. Because Free Cash Flow deducts capital expenditures from “net cash provided by operating activities” (the most directly comparable U.S. GAAP financial measure), users of this information should consider the types of events and transactions that are not reflected. We provide below a reconciliation of Free Cash Flow to the most directly comparable amount reported under U.S. GAAP, which is “net cash provided by operating activities.”
Figure 10. Warner Music Group Corp. - Calculation of Free Cash Flow, Three Months Ended December 31, 2025 versus December 31, 2024
(dollars in millions)
For the Three Months Ended December 31, 2025
For the Three Months Ended December 31, 2024
(unaudited)
(unaudited)
Net cash provided by operating activities
$
440
$
332
Less: Capital expenditures
20
36
Free Cash Flow
$
420
$
296
View source version on businesswire.com: https://www.businesswire.com/news/home/20260205595682/en/
Media Contact:
Hannah Karp
Hannah.Karp@wmg.com
Investor Contact:
Kareem Chin
Investor.Relations@wmg.com
Original: Warner Music Group Corp. Reports Results for Fiscal First Quarter Ended December 31, 2025