US Market News
1月前
ANGHAMI REPORTS FY2025 REVENUE OF $99.3M, UP 27%, ON 3.5M SUBSCRIBERS AND LANDMARK STRATEGIC PARTNERSHIPSApril 30, 2026 5:22 PM
PR Newswire (US)
ABU DHABI, UAE, April 30, 2026 /PRNewswire/ -- Anghami Inc. (NASDAQ: ANGH) ("Anghami"), the leading music and entertainment streaming platform in the MENA region, today announced its consolidated financial results for the year ended December 31, 2025, marked by revenue growth and subscribers reaching 3.5 million with a registered user base now exceeding 130 million, supported by landmark strategic partnerships.
HIGHLIGHTSRevenue increased to $99.3 million in 2025, up 27% from $78.1 million in 2024. Growth came from subscriber gains across OSN+ and Anghami Plus, and the first full-year consolidation of OSN+ (April 1, 2024).Paid Subscribers exceeded 3.5 million across Anghami and OSN+, and registered users crossed 130 million.Warner Bros. Discovery closed its $57 million minority investment in OSN Streaming Limited in March 2025, expanding the content partnership and committing to joint investment in regional original production.Multiple strategic partnerships launched for OSN+ with Noon as well as a regional distribution agreement with talabat and the first-of-its-kind "Epic Bundle" with Shahid and Disney+ in December, delivering strong subscriber traction, high activation rates, and above-average conversion, reinforcing Anghami's expanding distribution and monetization ecosystem.Commenting on Anghami's results, Elie Habib, CEO of Anghami, said: "2025 was the first full year of the combined Anghami and OSN+ business, and a year in which the scale of the opportunity became clear. Revenue grew 27% to $99.3 million. Paying subscribers exceeded 3.5 million, and our registered user base crossed 130 million across the MENA region. We made important progress across the business. We rebuilt the OSN+ platform in-house, launched our first OSN+ Original, expanded strategic distribution partnerships with talabat and Noon, and signed the Epic Bundle with Shahid and Disney+, bringing three leading entertainment platforms into one subscription for the first time in the region. Warner Bros. Discovery's investment in OSN Streaming Limited reflects confidence in our model, our market position, and the long-term value of premium regional streaming. Our HBO content commitments remain contractual and unchanged. With a stronger product, a deeper content slate, Ramadan momentum, and early Epic Bundle traction, we enter 2026 focused on scaling revenue, improving unit economics, and converting momentum into sustainable growth."BUSINESS UPDATE2025 marked a significant year in Anghami's evolution as it progressed the integration of OSN+ into its multi-media streaming ecosystem and expanded its content, partnerships, and technology capabilities.Anghami continued to invest in its proprietary technology, including AI-powered content recommendations, and completed the in-house rebuild of the OSN+ streaming platform, delivering improved performance, 4K capabilities, and full control over the user experience. In January 2025, OSN+ premiered its original production The Fashionista, reinforcing the platform's investment in locally relevant content alongside its exclusive HBO catalogue, which includes House of the Dragon, The Last of Us, and Game of Thrones.In March 2025, Warner Bros. Discovery announced an agreement to acquire a minority stake in OSN Streaming Limited, Anghami's majority shareholder, investing $57 million. The transaction expands the existing content partnership and includes plans to jointly invest in locally produced content targeting regional audiences.OSN+ partnerships with talabat and Noon expanded distribution and opened new customer acquisition channels, while high-profile live events including the Amr Diab & Adam Port concert in Abu Dhabi and Nancy Ajram Riyadh Boulevard activation reinforced Anghami's cultural leadership position. Regional conflicts have impacted live events and regional content production; however, Anghami continued to scale its cultural footprint through flagship initiatives such as "Aktar Men Ayya Waqt," a pan-Arab collaboration uniting leading artists across the region, alongside a focused Ramadan content strategy that delivered resilient engagement and outperformed industry trends that typically see lower metrics during the period.As the year drew to a close, OSN+ launched the "Epic Bundle", a first-of-its-kind bundled subscription with Shahid and Disney+, bringing all three platforms together under a single plan and broadening content access for consumers.Anghami also continued to expand its telco partnership ecosystem in 2025, maintaining integrations with 45 telco operators across the MENA region. Telco partnerships serve as a dual-purpose growth lever by facilitating frictionless subscription payments, helping Anghami maintain one of the highest paying conversion rates among music streaming services in the MENA region, while also providing a significant marketing channel through co-branded campaigns and data bundle offerings.From a financial perspective, revenue increased to $99.3 million in 2025, from $78.1 million in 2024, driven by subscriber growth across Anghami Plus and OSN+ and the first full-year contribution from the OSN+ video streaming segment which was consolidated from 1 April 2024. Profitability was impacted by the fixed video content licensing fees reflecting the full 12 month impact compared to 2024.During 2025 and early 2026, the Company strengthened its Board of Directors with the appointments of Bassil Almouallimi (SRMG), James Cooke (Warner Bros. Discovery), Moustapha Chami (KIPCO), and Eman Al Awadhi (KIPCO).OUTLOOKAnghami is positioned to capitalize on continued growth in digital entertainment demand across the MENA region. The Company's platform-led partnerships enhance distribution, content access and audience reach, further differentiating Anghami within an increasingly competitive streaming market.Strategic collaborations with leading regional and global platforms, including Shahid, Disney+, talabat, and the expanded Warner Bros. Discovery relationship, are expected to remain key growth drivers. The content lineup is set to remain exceptional throughout the year, featuring highly anticipated global releases and returning flagship series. This includes A Knight of the Seven Kingdoms, Euphoria Season 3, Season 2 of The Pitt, which has emerged as one of the most widely watched series globally, and Season 4 of FROM. This is further reinforced by upcoming seasons of The House of the Dragon and a robust pipeline of award-winning and globally successful films, including major 2025 theatrical releases such as Sinners, Superman, and other leading box office titles.Building on this early traction, Anghami aims to scale embedded and bundled distribution models to support more efficient user acquisition and deeper engagement across its core markets.Management remains focused on balancing growth with operational discipline, as continued investment in platform capabilities, reshaping content acquisition costs, advertising optimization and partner integrations support scale benefits over time. As these initiatives mature, Anghami aims to drive improved monetization and stronger operating leverage across its digital entertainment platform that will lead to material unit economics improvements in 2026.Anghami's annual report on Form 20-F (the "Form 20-F") for the year ended December 31, 2025 was filed today with the U.S. Securities and Exchange Commission. The Form 20-F can be accessed by visiting either the SEC's website at www.sec.gov or the Company's website at https://www.anghami.com/investors.About Anghami Inc. (NASDAQ: ANGH) Anghami is the leading multi-media technology streaming platform in the Middle East and North Africa ("MENA") region, offering a comprehensive ecosystem of exclusive premium video, music, podcasts, live entertainment, audio services, and more.With a user base exceeding 130 million registered users and over 3.5 million paid subscribers, Anghami has partnered with 45 telcos across MENA, facilitating customer acquisition and subscription payment, in addition to establishing relationships with major film studios, entertainment giants, and music labels, both regional and international. Headquartered in Abu Dhabi, UAE, Anghami operates in 16 countries across MENA, with offices in Beirut, Dubai, Cairo, and Riyadh.To learn more about Anghami, please visit: https://anghami.com. Any questions for the Investors Relations Department can be emailed to IR@anghami.com or anghami@apcoworldwide.com.Cautionary Statement Regarding Forward-Looking StatementsThis press release contains "forward-looking statements" within the meaning of the safe harbor provisions of the United States Private Securities Litigation Reform Act of 1995. Anghami's actual results may differ from its expectations, estimates, and projections and, consequently, you should not rely on these forward-looking statements as predictions of future events. Words such as "expect," "estimate," "start," "project," "budget," "forecast," "preliminary," "anticipate," "position," "intend," "plan," "may," "will," "could," "should," "believes," "continue," "predicts," "potential," "transform," "commitment" and similar expressions (or the negative versions of such words or expressions) are intended to identify such forward-looking statements. These statements include those related to the effect of the OSN+ integration, Warner Bros. Discovery investment in OSN Streaming, other new partnerships and collaborations, and future growth. These forward-looking statements involve significant risks and uncertainties that could cause the actual results to differ materially from those discussed in the forward-looking statements. Most of these factors are outside Anghami's control and are difficult to predict. Factors that may cause such differences include, but are not limited to: the outcome of any legal proceedings that may be instituted against Anghami; wars, conflicts and political instability; foreign exchange fluctuations, changes in applicable laws or regulations; and the possibility that Anghami may be adversely affected by other economic, business, and/or competitive factors; and other risks and uncertainties identified in Anghami's fiscal 2025 annual report on Form 20-F filed with the SEC on April 30, 2026, including those under "Risk Factors" therein, and in other documents filed or to be filed with the SEC by Anghami and available at the SEC's website at www.sec.gov. Anghami cautions that the foregoing list of factors is not exclusive. Anghami cautions readers not to place undue reliance upon any forward-looking statements, which speak only as of the date made. Except as required by law, Anghami does not undertake or accept any obligation or undertaking to release publicly any updates or revisions to any forward-looking statements to reflect any change in its expectations or any change in events, conditions, or circumstances on which any such statement is based.Logo - https://mma.prnewswire.com/media/2970522/Anghami_Logo.jpg
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Original: ANGHAMI REPORTS FY2025 REVENUE OF $99.3M, UP 27%, ON 3.5M SUBSCRIBERS AND LANDMARK STRATEGIC PARTNERSHIPS
INV4
5月前
Anghami Inc. (ANGH) Is Becoming the MENA Streaming Giant Investors Can’t Ignore
Dec 31, 2025
Born out of a region long underserved by legal, localized digital entertainment, this platform was created to solve a problem that global streaming giants initially ignored: how to deliver culturally relevant, licensed music and entertainment to audiences across the Middle East and North Africa in a seamless, mobile-first way. Launched in an environment dominated by piracy and fragmented distribution, the company entered the market with a clear mission to legitimize digital music consumption while embracing the linguistic, cultural, and listening habits unique to Arabic-speaking users. From the beginning, its identity was shaped by deep regional understanding rather than a one-size-fits-all global template, a foundation that continues to define its evolution today.
Anghami Inc. (NASDAQ:ANGH) was founded in 2012 by entrepreneurs who recognized that the MENA region required more than just access to international catalogs. It needed a platform that prioritized Arabic music discovery, regional artists, and localized user experiences while still offering global hits. By securing licensing agreements with major international and regional music labels early on, Anghami Inc. positioned itself as the first legal music streaming platform of scale in the region, establishing credibility with rights holders and trust with users. This early mover advantage allowed the company to build brand loyalty at a time when streaming adoption was still in its infancy across many MENA markets.
As smartphone penetration accelerated and mobile internet access expanded, Anghami Inc. grew alongside the region’s digital transformation. The platform steadily expanded its catalog, enhanced personalization algorithms, and introduced social features that encouraged sharing and community engagement. These innovations helped Anghami Inc. evolve from a simple music app into a digital companion embedded in daily life, particularly among younger demographics. Over time, this approach translated into a rapidly expanding user base, laying the groundwork for scalable monetization through subscriptions, partnerships, and bundled offerings.
The company’s growth trajectory eventually extended beyond music alone. Recognizing that long-term value in digital entertainment would come from diversification, Anghami Inc. began investing in podcasts, live audio, and exclusive content formats tailored to regional tastes. This strategic broadening reflected a broader vision of becoming a comprehensive digital entertainment platform rather than remaining confined to a single vertical. By continuously adapting its product mix, Anghami Inc. maintained relevance in a highly competitive global streaming environment while preserving its distinct regional edge.
A major milestone in the company’s background came with its public listing on the NASDAQ under the ticker ANGH, marking one of the first times a homegrown MENA consumer technology platform accessed U.S. public markets. This step not only provided Anghami Inc. with greater access to growth capital but also elevated its global visibility, positioning it as a representative of the region’s emerging technology ecosystem. The listing underscored management’s ambition to scale internationally while remaining deeply anchored in its core MENA markets.
The strategic evolution of Anghami Inc. accelerated further with its integration into a broader entertainment ecosystem through OSN+. This move signaled a decisive shift from pure music streaming toward a multi-media technology platform encompassing premium video, music, podcasts, and live entertainment. By aligning itself with established regional broadcasters and global content owners, Anghami Inc. strengthened its ability to deliver exclusive, high-value content while increasing average revenue per user and deepening engagement across its growing subscriber base.
Throughout its development, Anghami Inc. has emphasized partnerships as a core growth lever. Relationships with telecommunications providers across the MENA region enabled seamless billing and customer acquisition, lowering friction for paid subscriptions in markets where traditional payment methods can be limiting. These telco integrations became a cornerstone of the company’s expansion strategy, allowing Anghami Inc. to scale efficiently across more than a dozen countries while maintaining localized pricing and distribution models.
Headquartered in Abu Dhabi and operating across key regional hubs including Beirut, Dubai, Cairo, and Riyadh, Anghami Inc. has built an operational footprint that mirrors the geographic diversity of its audience. This regional presence has allowed the company to stay closely connected to cultural trends, artist communities, and consumer behavior, reinforcing its competitive positioning against global streaming platforms that often operate at a distance from local markets.
Today, the background of Anghami Inc. reflects more than a decade of continuous adaptation within a fast-changing digital landscape. What began as a solution to music piracy has matured into a diversified digital entertainment platform serving over a hundred million registered users across the MENA region. With its roots firmly grounded in regional relevance and its strategy increasingly aligned with global-scale entertainment economics, Anghami Inc. stands as a case study in how localized innovation can evolve into a publicly traded digital media company with long-term growth ambitions.
Anghami Inc. and the Rewriting of the MENA Streaming Narrative
Anghami Inc. has reached a defining moment in its corporate evolution, one that fundamentally reshapes how investors should view Anghami stock within the global digital entertainment landscape. Long positioned as the leading music streaming platform in the Middle East and North Africa, the company has now crossed a strategic threshold that moves it decisively beyond music alone and into a fully integrated, multi-media streaming ecosystem. The first half of 2025 stands out as a pivotal chapter in this journey, marked by explosive revenue growth, accelerating subscriber adoption, and a deepening alliance with one of the world’s most powerful entertainment companies.
The transformation underway is not theoretical. It is being reflected directly in Anghami’s financial results, operational metrics, and expanding distribution footprint across the MENA region. For a company operating in a market characterized by youthful demographics, rising smartphone penetration, and increasing appetite for premium digital content, the timing of this evolution could not be more critical.
Revenue Acceleration Signals a Structural Inflection Point
The most striking signal in Anghami’s recent performance is the near-doubling of revenue during the six-month period ended 30 June 2025. Revenue surged 97 percent year-on-year to US$48.4 million, driven primarily by the successful integration of OSN+ and the rapid expansion of subscription income. Subscription revenue alone reached approximately US$43 million, underscoring the strength of Anghami’s paid conversion strategy and the monetization potential of its unified platform.
For investors analyzing ANGH stock, this rate of topline growth is particularly significant because it reflects a structural shift rather than a one-time boost. The OSN+ integration has transformed Anghami from a single-vertical music streaming service into a comprehensive entertainment platform offering premium video, music, podcasts, live events, and exclusive content under one seamless interface. This convergence materially expands average revenue per user potential and reduces reliance on any single content format.
Subscriber Growth Confirms Platform Stickiness and Conversion Power
Equally compelling is the expansion of Anghami’s paid subscriber base. As of 30 June 2025, paid subscribers doubled year-on-year to 3.54 million, while total registered users exceeded 120 million across the MENA region. These figures highlight not only Anghami’s massive top-of-funnel reach but also its growing effectiveness in converting free users into paying customers.
In the streaming industry, scale without conversion is fragile. Anghami’s ability to grow both metrics simultaneously strengthens the bullish case for ANGH stock, as it demonstrates that the platform’s content mix, user experience, and pricing structures resonate with its audience. The successful transition of music-only users into bundled entertainment subscribers following the OSN+ integration further reinforces the long-term monetization thesis.
The Warner Bros. Discovery Partnership as a Competitive Moat
A defining pillar of Anghami’s bullish thesis lies in its deepening partnership with Warner Bros. Discovery. The US$57 million strategic investment in OSN Streaming Ltd., the majority owner of Anghami, does more than inject capital. It validates the platform’s strategic importance and locks in exclusive access to HBO content, Max Originals, and a vast library of global entertainment for audiences across the MENA region.
This exclusivity establishes a powerful competitive moat. Global streaming giants face structural challenges in tailoring content and distribution to local tastes in MENA markets. Anghami, through OSN+, combines global premium content with deep regional cultural relevance, positioning itself as the default destination for Arabic and international entertainment. For Anghami stock investors, the Warner Bros. Discovery alliance reduces execution risk while enhancing brand prestige and content differentiation.
Operational Excellence Strengthens the Investment Case
Beyond headline financials, Anghami’s operational execution in the first half of 2025 further reinforces the bullish narrative. Platform uptime reached 99.9 percent, while app store ratings improved dramatically from 3.8 to 4.6 stars. These metrics matter in a subscription-based business where user satisfaction directly influences retention, churn, and lifetime value.
Improved reliability and user experience enhance Anghami’s ability to scale efficiently, particularly as content libraries grow and traffic increases. Operational excellence becomes even more critical as the platform integrates music, video, and live entertainment into a single interface. These improvements support management’s long-term goal of optimizing scale utilization across markets.
Distribution Expansion Unlocks New Growth Channels
Anghami’s growth strategy extends well beyond its core app. During the reporting period, OSN+ secured new partnerships with Noon and PlayStation, expanding distribution into high-engagement ecosystems that attract digitally native consumers. Following the period end, the distribution agreement with Talabat opened yet another powerful user acquisition channel, embedding premium entertainment into everyday digital touchpoints.
These partnerships illustrate Anghami’s ability to think laterally about growth. By integrating content into commerce platforms, gaming ecosystems, and food delivery apps, Anghami reduces customer acquisition costs while increasing brand visibility. This multi-channel distribution model strengthens the long-term scalability of the platform and supports continued subscriber growth through 2026 and beyond.
Cultural Leadership and Brand Resonance Across MENA
Anghami’s position is not purely technological. The company continues to reinforce its role as a cultural leader through high-profile live events and regional activations, including concerts and entertainment experiences in Abu Dhabi and Riyadh. These initiatives deepen emotional connection with users and strengthen Anghami’s brand identity as more than a passive streaming service.
In emerging digital markets, cultural relevance is often the deciding factor between platforms that endure and those that fade. Anghami’s deep roots in Arabic music, entertainment, and regional storytelling give it an advantage that global competitors struggle to replicate at scale.
Short-Term Losses, Long-Term Leverage
The company reported a loss of US$37.1 million for the six-month period, reflecting increased investment in subscriber acquisition, content, and platform integration. While this may concern short-term focused investors, it aligns with the growth-first playbook followed by successful global streaming platforms during their expansion phases.
Management has indicated that cost base adjustments and operational synergies are underway, with profitability expected to improve as the combined platform reaches optimal scale. For long-term investors evaluating ANGH stock, the focus shifts from near-term earnings to the durability of revenue growth, subscriber momentum, and strategic partnerships.
Outlook: Why Anghami’s Trajectory Favors a Bullish Re-Rating
Looking ahead, Anghami is positioned to capitalize on accelerating digital entertainment demand across the MENA region. Major content launches planned for early 2026, expanded international partnerships, and continued Warner Bros. Discovery collaboration provide multiple catalysts for sustained topline growth. As integration benefits mature and cost efficiencies improve, the platform’s operating leverage could become increasingly visible in financial results.
In a region with over 400 million people, a young population, and rapidly digitizing consumption habits, Anghami stands out as a rare publicly traded pure-play on MENA digital entertainment. The convergence of music, video, podcasts, and live events under one ecosystem places Anghami at the center of this secular shift.
The Bullish Thesis for Anghami Stock
Taken together, Anghami Inc.’s explosive revenue growth, doubling paid subscribers, exclusive Warner Bros. Discovery partnership, expanding distribution channels, and strengthening operational performance form a compelling bullish thesis for Anghami stock. While short-term volatility and investment-driven losses remain part of the story, the long-term narrative increasingly resembles that of a regional streaming champion evolving into a scalable digital entertainment powerhouse.
For investors willing to look beyond near-term noise and focus on structural growth, ANGH stock represents leveraged exposure to one of the most under-penetrated and fastest-growing digital entertainment markets in the world.
https://globalmarketbulletin.com/anghami-inc-angh-is-becoming-the-mena-streaming-giant-investors-cant-ignore/
$ANGH 🗞️
INV4
5月前
ANGHAMI reports H1 2025 financial results; marked by topline growth and transformative deal with Warner Bros. Discovery
December 30, 2025
ABU DHABI, UAE, Dec. 30, 2025 /PRNewswire/ -- Anghami Inc. (NASDAQ: ANGH) ("Anghami"), the leading music and entertainment streaming platform in the MENA region, today announced its results for the six-month period ended 30 June 2025, underscoring the benefits of the OSN+ integration and the impact of its transformative partnership with Warner Bros. Discovery.
HIGHLIGHTS
• Revenue growth of 97% year-on-year to US$48.4 million for the six month period ended 30 June 2025, driven by OSN+ integration and expanding subscription income.
• Paid subscriber base doubled to 3.54 million as of 30 June 2025, with over 120 million total registered users, demonstrating strong platform conversion rates.
• Strategic investment by Warner Bros. Discovery worth US$57 million in OSN Streaming Ltd., the majority owner of Anghami, reinforcing exclusive content partnerships and bringing HBO, Max Originals, and global entertainment to MENA audiences.
• New OSN+ partnerships with Noon and PlayStation during the period as well as a distribution agreement with Talabat.
Commenting on Anghami's results, Elie Habib, CEO of Anghami, said: "H1 2025 revenue reached US$48.4 million, driven by subscription income rising to US$43 million following the OSN+ integration. On the operational side, we delivered 99.9% uptime and improved app store ratings from 3.8 to 4.6 stars. Warner Bros. Discovery's US$57 million investment in OSN Streaming reinforces our partnership and keeps HBO, Max Originals, and global hits exclusive to OSN+ viewers across MENA. Looking ahead, our new collaboration with Talabat expands OSN+ distribution and positions us to accelerate subscriber growth through 2026 and beyond."
The first half of 2025 marked transformative operational achievements for Anghami, driven by the successful OSN+ platform integration and strategic content partnerships. Paid subscribers grew 97% year-on-year to 3.54 million as of 30 June 2025, with total registered users exceeding 120 million across the MENA region driving revenue growth of 97% year-on-year to US$48.4 million. However, the increased investments made to support subscriber acquisition for OSN+ and other integration costs impacted profitability, resulting in a loss of US$ 37.1 million. The management team is implementing measures to adjust the cost base and further drive the benefits of the business scaling up.
The Warner Bros. Discovery investment has provided exclusive access to HBO content, Max Originals, and international entertainment, establishing Anghami as the premier streaming destination in MENA. Platform integration delivered seamless music and video content access through a unified interface, driving strong conversion rates from music-only to comprehensive entertainment subscriptions.
Distribution expansion through PlayStation and Noon.com partnerships with OSN+ opened new customer acquisition channels, while high-profile live events including the Amr Diab & Adam Port concert in Abu Dhabi and Nancy Ajram Riyadh Boulevard activation reinforced Anghami's cultural leadership position.
Following the period end, Anghami strengthened its ecosystem through a distribution deal with Talabat, creating new content distribution and user acquisition channels expected to drive growth momentum.
The company has confirmed major content launches for early 2026, including exclusive regional productions and expanded international content partnerships that will further establish the platform's competitive differentiation in the streaming market.
OUTLOOK
Anghami is positioned to capitalize on accelerating digital entertainment demand across the MENA region. The company's strategic partnerships provide multiple growth drivers and expanding content capabilities that differentiate the platform in the competitive streaming market.
The Warner Bros. Discovery partnership will drive continued subscriber acquisition throughout 2025 and 2026.
Management expects topline growth to continue in H2 whilst the investments required to drive integration benefits will continue to impact profitability until operational synergies and cost management measures are more fully realized, and the combined platform achieves optimal scale utilization across all markets.
The full unaudited financial statements and notes for the six-month period ended 30 June 2025 were furnished to the U.S. Securities and Exchange Commission (the "SEC") today and may be accessed by visiting either the SEC's website at www.sec.gov or Anghami's website at https://www.anghami.com/investors.
About Anghami Inc. (NASDAQ: ANGH)
Anghami is the leading multi-media technology streaming platform in the Middle East and North Africa ("MENA") region, offering a comprehensive ecosystem of exclusive premium video, music, podcasts, live entertainment, audio services, and more.
With a user base exceeding 120 million registered users and 3.5 million paid subscribers, Anghami has partnered with 47 telcos across MENA, facilitating customer acquisition and subscription payment, in addition to establishing relationships with major film studios, entertainment giants, and music labels, both regional and international. Headquartered in Abu Dhabi, UAE, Anghami operates in 16 countries across MENA, with offices in Beirut, Dubai, Cairo, and Riyadh.
To learn more about Anghami, please visit: https://anghami.com. Any questions for the Investors Relations Department can be emailed to IR@anghami.com or anghami@apcoworldwide.com.
https://investorshub.advfn.com/stock-market/NASDAQ/anghami-ANGH/stock-news/97529820/anghami-reports-h1-2025-financial-results-marked
$ANGH 🗞️
INV4
6月前
OSN+ and Anghami appoint Teresa Antas Rio as VP – Marketing
Dec 11, 2025
Before joining the company, Teresa Antas Rio served as Brand Director at NEOM Media in Saudia Arabia, prior to which she was at The Walt Disney Company as Marketing Director, and at Unilever for more than a decade.
OSN Group, the leading network for premium entertainment in the MENA region, has appointed Teresa Antas Rio as Vice President of Marketing, leading marketing, creative and communications strategy across its entertainment portfolio, including OSN+ and Anghami.
A seasoned global marketer with a career spanning media, entertainment and consumer brands, Rio will lead OSN Group’s marketing transformation across both brands, championing an approach where connection, joy and cultural relevance shape how audiences experience entertainment.
Elie Habib, Co-Founder and CEO, Anghami, and CEO, OSN+, said, “Teresa’s global experience and creative leadership make her the right person to drive the next phase of our brand evolution. Her perspective will be key as we continue to strengthen our position as the region’s most dynamic entertainment space.”
Before joining the company, Rio served as Brand Director at NEOM Media in Saudia Arabia.
Her career includes more than a decade at Unilever, where she led global and regional marketing and digital initiatives across Europe, shaping the growth of brands such as Vaseline, Dove, Magnum and Wall’s ice cream.
She later joined The Walt Disney Company as Marketing Director for Disney+ and FOX TV Networks in Portugal, where she oversaw the launch of Disney+ and led the rebrand of FOX to STAR Channels across the MENA region.
Rio began her career at MTV in New York, where she developed her passion for music and storytelling and connecting global audiences through culture, creativity, and entertainment.
“It’s an incredibly exciting time to be joining the team” said Teresa Antas Rio, Vice President of Marketing for OSN+ and Anghami. “The company’s creative ambition, brilliant storytelling, and curated-for-the-region content are perfectly aligned with its growing ecosystem, offering a unique opportunity to shape how audiences experience entertainment across the region.”
For OSN+, this appointment aligns with its aim to elevate curated storytelling that enhances relevance and enriches the viewing experience.
For Anghami, it is about amplifying the region’s music culture while celebrating the diversity of local, regional and international artists, ensuring the platform remains a vibrant space where talent is discovered, audiences engage and feel seen, and the world listens to MENA too.
https://campaignme.com/osn-and-anghami-appoint-teresa-antas-rio-as-vice-president-of-marketing/
$ANGH
INV4
7月前
How QR codes and Heinz bottles sparked a Saudi anthem
Nov 26, 2025
For the 95th Saudi National Day, Heinz set out to create a tribute powered entirely by the voices of the people. Instead of producing another branded message, the brand built a platform where Saudis could express their identity through dialect, accent and regional pride. Partnering with Anghami, Heinz invited people from across the Kingdom’s 13 regions to record messages of Saudi Arabia in their own voices.
To root the idea in something tangible, Heinz released 13 limited-edition ketchup and mayonnaise bottles – each one reflecting the motifs, dialects and cultures of a specific region. Through a QR code printed on every pack, fans could submit voice notes directly to a custom Anghami microsite. Messages from Jeddah to Riyadh, Abha to AlUla were later woven together using Anghami’s AI-enabled voice compilation tools, forming a people-powered anthem made for Saudis, by Saudis.
As Passant El Ghannam, Head of Marketing, Kraft Heinz MEA, shared, “Saudi Arabia is far from a homogenous culture … each region has its own dialect, traditions and nuances.”
Insight and Strategy
At the heart of the campaign was a simple cultural insight: celebrating Saudi identity meant celebrating its differences. Rather than relying on a single national message, Heinz leaned into the country’s regional diversity – treating dialects, accents and local expressions as cultural assets that could bring people together.
The strategy was built around creating an activation that felt genuinely personal. By using packaging to reflect the Kingdom’s 13 regions, and inviting people to record messages in their own dialects, the brand positioned itself as a facilitator of pride rather than a narrator of it. This approach particularly resonated with younger Saudis, who seek authentic, interactive and shareable experiences.
El Ghannam explained that “this year’s campaign gave Saudis a platform to express their love for the Kingdom, turning the brand into a conduit for national pride.” She added that “each limited-edition label represented one of the 13 regions… allowing people to connect with Heinz through a design, and a dialect, that felt personal to them.”
While the activation was primarily created for Saudis, expats also submitted messages – their voices included in the final anthem as “a unified celebration of the Kingdom’s diversity.”
According to Heinz, culturally rooted, participatory storytelling builds stronger emotional connection than traditional brand-led communications.
“When brands give Saudis a genuine platform to participate, they respond with overwhelming enthusiasm and generosity,” said, El Ghannam, adding that “authenticity and cultural understanding are the strongest drivers of engagement.”
Bringing the campaign to life
The campaign launched in the first week of September, timed to lead into Saudi National Day, and ran as a 360° rollout combining digital innovation, in-store experiences, influencer-led storytelling and outdoor media.
The limited-edition ketchup and mayo bottles were launched for sale across the Kingdom, where consumers could scan the QR code and share their message for the anthem. In flagship stores, shoppers could also have bottles personalised by a calligrapher – an activation aimed at grounding the digital idea in a physical keepsake.
The Saudi National Day anthem was also amplified it across social media platforms such as Instagram, TikTok, YouTube and Anghami.
The brand also collaborated with Saudi creators such as Saeed Alwahbi, Nayla Jaad, May Dodda, Abdullah Jaber and Khalid Assiri, who received a special Saudi National Day box that featured the 13 varieties representing the Saudi regions. The creators then documented their unboxing and submissions to the anthem, demonstrating how the experience worked and inspiring their audience to take part in the same.
Heinz Saudi
For the 95th Saudi National Day, Heinz set out to create a tribute powered entirely by the voices of the people. Instead of producing another branded message, the brand built a platform where Saudis could express their identity through dialect, accent and regional pride. Partnering with Anghami, Heinz invited people from across the Kingdom’s 13 regions to record messages of Saudi Arabia in their own voices.
To root the idea in something tangible, Heinz released 13 limited-edition ketchup and mayonnaise bottles – each one reflecting the motifs, dialects and cultures of a specific region. Through a QR code printed on every pack, fans could submit voice notes directly to a custom Anghami microsite. Messages from Jeddah to Riyadh, Abha to AlUla were later woven together using Anghami’s AI-enabled voice compilation tools, forming a people-powered anthem made for Saudis, by Saudis.
Heinz Saudi
As Passant El Ghannam, Head of Marketing, Kraft Heinz MEA, shared, “Saudi Arabia is far from a homogenous culture … each region has its own dialect, traditions and nuances.”
Insight and Strategy
At the heart of the campaign was a simple cultural insight: celebrating Saudi identity meant celebrating its differences. Rather than relying on a single national message, Heinz leaned into the country’s regional diversity – treating dialects, accents and local expressions as cultural assets that could bring people together.
The strategy was built around creating an activation that felt genuinely personal. By using packaging to reflect the Kingdom’s 13 regions, and inviting people to record messages in their own dialects, the brand positioned itself as a facilitator of pride rather than a narrator of it. This approach particularly resonated with younger Saudis, who seek authentic, interactive and shareable experiences.
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El Ghannam explained that “this year’s campaign gave Saudis a platform to express their love for the Kingdom, turning the brand into a conduit for national pride.” She added that “each limited-edition label represented one of the 13 regions… allowing people to connect with Heinz through a design, and a dialect, that felt personal to them.”
While the activation was primarily created for Saudis, expats also submitted messages – their voices included in the final anthem as “a unified celebration of the Kingdom’s diversity.”
According to Heinz, culturally rooted, participatory storytelling builds stronger emotional connection than traditional brand-led communications.
“When brands give Saudis a genuine platform to participate, they respond with overwhelming enthusiasm and generosity,” said, El Ghannam, adding that “authenticity and cultural understanding are the strongest drivers of engagement.”
Bringing the campaign to life
The campaign launched in the first week of September, timed to lead into Saudi National Day, and ran as a 360° rollout combining digital innovation, in-store experiences, influencer-led storytelling and outdoor media.
The limited-edition ketchup and mayo bottles were launched for sale across the Kingdom, where consumers could scan the QR code and share their message for the anthem. In flagship stores, shoppers could also have bottles personalised by a calligrapher – an activation aimed at grounding the digital idea in a physical keepsake.
The Saudi National Day anthem was also amplified it across social media platforms such as Instagram, TikTok, YouTube and Anghami.
The brand also collaborated with Saudi creators such as Saeed Alwahbi, Nayla Jaad, May Dodda, Abdullah Jaber and Khalid Assiri, who received a special Saudi National Day box that featured the 13 varieties representing the Saudi regions. The creators then documented their unboxing and submissions to the anthem, demonstrating how the experience worked and inspiring their audience to take part in the same.
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“They shared heartfelt submissions expressing their love and pride for the Kingdom, inspiring their audiences to take part,” said, El Ghannam.
After the engagement phase, OOH installations across Riyadh and Jeddah amplified the final anthem. MUPIs featured lines and messages derived from the collective voices, bringing user-generated sentiment back into public space.
Results
The campaign attracted strong engagement, with 240 Saudis submitting voice messages. Of these, 31 voices were selected for the final anthem, which premiered on Anghami. Demand for the bottles was equally strong, with 41,000 limited-edition packs sold.
Heinz and Anghami also launched a dedicated playlist, ‘95th Saudi National Day by Heinz’, which accumulated 200,326 streams, reached 20,764 unique listeners, and kept audiences engaged for an average of 20 minutes per day.
Heinz Saudi
For the 95th Saudi National Day, Heinz set out to create a tribute powered entirely by the voices of the people. Instead of producing another branded message, the brand built a platform where Saudis could express their identity through dialect, accent and regional pride. Partnering with Anghami, Heinz invited people from across the Kingdom’s 13 regions to record messages of Saudi Arabia in their own voices.
To root the idea in something tangible, Heinz released 13 limited-edition ketchup and mayonnaise bottles – each one reflecting the motifs, dialects and cultures of a specific region. Through a QR code printed on every pack, fans could submit voice notes directly to a custom Anghami microsite. Messages from Jeddah to Riyadh, Abha to AlUla were later woven together using Anghami’s AI-enabled voice compilation tools, forming a people-powered anthem made for Saudis, by Saudis.
Heinz Saudi
As Passant El Ghannam, Head of Marketing, Kraft Heinz MEA, shared, “Saudi Arabia is far from a homogenous culture … each region has its own dialect, traditions and nuances.”
Insight and Strategy
At the heart of the campaign was a simple cultural insight: celebrating Saudi identity meant celebrating its differences. Rather than relying on a single national message, Heinz leaned into the country’s regional diversity – treating dialects, accents and local expressions as cultural assets that could bring people together.
The strategy was built around creating an activation that felt genuinely personal. By using packaging to reflect the Kingdom’s 13 regions, and inviting people to record messages in their own dialects, the brand positioned itself as a facilitator of pride rather than a narrator of it. This approach particularly resonated with younger Saudis, who seek authentic, interactive and shareable experiences.
Instagram trackers and content blocked
Your Firefox settings blocked this content from tracking you across sites or being used for ads.
El Ghannam explained that “this year’s campaign gave Saudis a platform to express their love for the Kingdom, turning the brand into a conduit for national pride.” She added that “each limited-edition label represented one of the 13 regions… allowing people to connect with Heinz through a design, and a dialect, that felt personal to them.”
While the activation was primarily created for Saudis, expats also submitted messages – their voices included in the final anthem as “a unified celebration of the Kingdom’s diversity.”
According to Heinz, culturally rooted, participatory storytelling builds stronger emotional connection than traditional brand-led communications.
“When brands give Saudis a genuine platform to participate, they respond with overwhelming enthusiasm and generosity,” said, El Ghannam, adding that “authenticity and cultural understanding are the strongest drivers of engagement.”
Bringing the campaign to life
The campaign launched in the first week of September, timed to lead into Saudi National Day, and ran as a 360° rollout combining digital innovation, in-store experiences, influencer-led storytelling and outdoor media.
The limited-edition ketchup and mayo bottles were launched for sale across the Kingdom, where consumers could scan the QR code and share their message for the anthem. In flagship stores, shoppers could also have bottles personalised by a calligrapher – an activation aimed at grounding the digital idea in a physical keepsake.
The Saudi National Day anthem was also amplified it across social media platforms such as Instagram, TikTok, YouTube and Anghami.
The brand also collaborated with Saudi creators such as Saeed Alwahbi, Nayla Jaad, May Dodda, Abdullah Jaber and Khalid Assiri, who received a special Saudi National Day box that featured the 13 varieties representing the Saudi regions. The creators then documented their unboxing and submissions to the anthem, demonstrating how the experience worked and inspiring their audience to take part in the same.
Instagram trackers and content blocked
Your Firefox settings blocked this content from tracking you across sites or being used for ads.
“They shared heartfelt submissions expressing their love and pride for the Kingdom, inspiring their audiences to take part,” said, El Ghannam.
After the engagement phase, OOH installations across Riyadh and Jeddah amplified the final anthem. MUPIs featured lines and messages derived from the collective voices, bringing user-generated sentiment back into public space.
Results
The campaign attracted strong engagement, with 240 Saudis submitting voice messages. Of these, 31 voices were selected for the final anthem, which premiered on Anghami. Demand for the bottles was equally strong, with 41,000 limited-edition packs sold.
Heinz and Anghami also launched a dedicated playlist, ‘95th Saudi National Day by Heinz’, which accumulated 200,326 streams, reached 20,764 unique listeners, and kept audiences engaged for an average of 20 minutes per day.
According to El Ghannam, Heinz recorded strong commercial and cultural traction during the campaign period, with market share for Tomato Ketchup rising by 1.6 percentage points compared with the same period last year, and Mayo achieving a record uplift of 2.1 points.
The people-powered anthem also performed well on Anghami’s charts, placing third in the Top Arabic (Saudi) list, second in Top Khaleeji, and third in the Top Saudi category – an indication of how widely the campaign resonated across audiences in the Kingdom.
In terms of engagement, the campaign generated high participation across platforms, driven by the emotional nature of voice submissions and the pride attached to regional representation.
The combination of user-generated content, packaging localisation and music creation helped position Heinz as a brand that listens rather than speaks.
Credits
Client – Kraft Heinz:
Yomna El Gabry, Head of Marketing GCC & South Africa
Baher Arafat, Media Lead, MEA
Mostafa Ragaie, Marketing Manager, KSA
Creative Agency – FP7 McCann:
Samer Alhussein – Business Director
Ibrahim Shawkat – Account Director
Perla Lahoud – Senior Account Executive
Rasha Al Husseini – Account Executive
Ramzi Ibrahim – Executive Creative Director
Alaa Ghazzi – Executive Creative Director
Amine Naim – Associate Creative Director
Patrick Sawaya – Art Director
Yaqoub Hammad – Arabic Copywriter
Ramzi Melki – Multimedia Designer
Patrick Alkfoury – Multimedia Designer
Media Agency – Carat:
Sanaa Nassar – Media Director
Manar Samad – Associate Media Director
Sarah Elia – Integrated Media Planner Executive
Mark Khalil – Performance Executive
PR Agency – Current Global MENAT:
Jude Lahham – Account Director
Riya Awtaney – Account Manager
Aastha Chaurasia – Senior Associate
https://campaignme.com/how-qr-codes-and-heinz-bottles-sparked-a-saudi-anthem/
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INV4
7月前
Huawei and Anghami strengthen ecosystem alliance to redefine music streaming in MEA
Nov 25, 2025
The partnership offers seamless music across smartphones, wearables, and in-car systems
Huawei, the global technology leader in smart devices and innovation and Anghami, the leading music streaming platform in the Middle East and North Africa, are strenthening their longstanding partnership to deliver innovative, seamless, and customer-first digital experiences across the region.
What began with the onboarding of Anghami on AppGallery has evolved into a deep ecosystem collaboration spanning smartphones, wearables, and in-car systems, transforming how users across the Middle East and Africa discover, stream, and enjoy music.
“Our partnership with Huawei reflects our shared vision of innovation and user-first experiences. From launching on AppGallery to expanding across Huawei smartwatches and HMS for Car, we’ve created a seamless and personalized music journey that keeps Anghami always within reach, whether at home, on the move, or on the road,” said Choucri Khairallah, Chief Business Officer at Anghami.
Since its debut on AppGallery, Anghami has reached millions of new users, offering curated, localized playlists and premium music experiences designed for regional audiences. Through this collaboration, users can effortlessly discover and stream millions of tracks across devices, powered by Huawei’s intelligent and connected ecosystem.
Later, the partnership extended to Huawei wearables, with Anghami’s dedicated smartwatch app bringing music directly to users’ wrists. The integration enabled users to control playback, explore curated playlists, and enjoy their favorite songs with a simple tap, delivering entertainment that fits seamlessly into their daily lifestyle.
The collaboration further evolved through HMS for Car, integrating Anghami into Huawei’s smart in-car system. This feature provides drivers with instant access to Anghami’s extensive, localized library through an intuitive interface optimized for driving. With voice-enabled controls and smart recommendations, users can enjoy their favorite playlists and podcasts safely and effortlessly while in the car.
“Anghami’s integration across Huawei devices demonstrates the strength of our ecosystem and our commitment to enriching users’ digital lifestyles. Together, we’ve built an entertainment experience that connects people through technology and music wherever they are,” said William Hu, Managing Director of Huawei Consumer Business Group, Middle East and Africa Eco-Development and Operation.
As Huawei and Anghami continue to deepen their collaboration, the partnership is setting a new benchmark for digital innovation in the region. This forward-looking alliance not only strengthens the digital music landscape; it brings technology and creativity closer to every community, shaping a more vibrant, inclusive, and connected future for listeners across the region.
https://gulfnews.com/technology/huawei-and-anghami-strengthen-ecosystem-alliance-to-redefine-music-streaming-in-mea-1.500358921
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INV4
7月前
Anghami and Huawei celebrate five years of collaboration shaping a connected entertainment ecosystem across MENA
Nov 4, 2025
Following a series of successful collaborations
Following a series of successful collaborations, from AppGallery and HarmonyOS to the integration of the Anghami application into Huawei’s HMS for Car platform, both brands continue to redefine how audiences experience music across devices
Dubai, UAE: Anghami, the region’s leading music and entertainment platform, and Huawei, a global technology leader in smart devices and innovation, celebrate a five-year partnership that has transformed how audiences across the region experience music.
Anghami has expanded its presence across Huawei’s ecosystem of devices, from smartphones and wearables to connected cars, beginning with its onboarding on Huawei’s AppGallery and evolving into a full-fledged cross-scenario experience.
In continuation of the successful partnership, Anghami launched its first HarmonyOS smartwatch app in 2021, giving users control over playback and discovery directly from their wrist, one of the region’s earliest integrations between a music streaming platform and a smartwatch.
Earlier this year, Anghami took this collaboration a step further by embedding the Anghami application directly into vehicles powered by Huawei’s HMS for Car, enabling users to access the full app experience from their in-car dashboards. Additionally, Anghami also released an enhanced version of its app for the HUAWEI WATCH 5, powered by HarmonyOS 5.
Together, these developments demonstrate how Anghami and Huawei continue to expand across connected touchpoints, allowing listeners to enjoy their favorite Arabic and international tracks seamlessly at home, on the move, and on the road.
“Working with Huawei over the past five years has allowed us to transform the way people connect with music,” said Choucri Khairallah, Chief Business Officer at Anghami. “Together, we’ve brought Anghami into more moments of our users’ daily lives, whether they’re checking their watch, driving to work, or relaxing at home, with experiences that feel effortless and personal.”
“Our partnership with Anghami reflects Huawei’s commitment to empowering regional innovators through technology. By connecting Anghami’s locally loved content with our ecosystem of devices, from smartphones and wearables to cars, we’re bringing smarter, more personal entertainment to millions of users across the Middle East and Africa,” said William Hu, Managing Director of Huawei Consumer Business Group, Middle East and Africa Eco-Development and Operation.
Since then, both brands have continued to innovate, focusing on user experience and meaningful technology partnerships. Through Huawei’s growing ecosystem of smartphones, watches, and connected cars, Anghami has been able to deliver seamless music experiences that are also culturally relevant to audiences across the region.
About Anghami
The first, most-established and fastest-growing music technology platform in the Middle East and North Africa region, Anghami is the go-to destination for Arabic and International music, podcasts, and entertainment. With an extensive ecosystem of music, podcasts, events, and more, Anghami provides the tools for anyone to create, curate, and share their voice with the world. Launched in 2012, Anghami was the first music-streaming platform in MENA to digitize the region’s music. Today, it has the largest catalog comprising more than 100 million songs and licensed content from leading Arabic labels, independent artists, and global distributors, available for 120 million registered users. Anghami has established 40+ telco partnerships to facilitate subscriptions and customer acquisitions, in parallel to building long-term relationships with, and featuring music from, major music labels including Universal Music Group, Sony Music Entertainment, Warner Music Group, and the Merlin Network. Anghami is constantly licensing and producing new and original content.
Anghami also operates OSN+, the region’s leading local premium streaming service, featuring an incredible lineup of exclusive global and local, curated content. Led by its long-term partnerships with major studios including HBO, NBC Universal, Paramount+, Endeavor Content, MGM, and Sony, the platform ensures the latest content at the same time as the US, including critically acclaimed series and must-see movies, as well as world-class Arabic original content and OSN+ Originals.
OSN+ can be accessed through all your favorite devices, including major TV platforms, all iOS and Android devices, and from the web. Find out more and stream now at www.osnplus.com
Headquartered in Abu Dhabi, Anghami has offices in Beirut, Dubai, Cairo, and Riyadh and operates in 16 countries across MENA. To learn more about Anghami, please visit: https://anghami.com
About HUAWEI AppGallery - Top 3 App Marketplaces Globally
AppGallery is HUAWEI's official app distribution platform and it is a smart and innovative ecosystem that allows developers to create unique experiences for consumers. HUAWEI’s unique HMS Core allows apps to be integrated across different devices, delivering more convenience and a smoother experience.
HUAWEI’s vision is to make AppGallery an open, innovative app distribution platform that is accessible to consumers, and at the same time, strictly protects users’ privacy and security while providing them with a unique and smart experience. Being among the top 3 global app marketplaces, AppGallery offers a wide variety of global and local apps across 18 categories, including navigation & transport, news, social media, and others. AppGallery is available in more than 170 countries and regions with over 580 million monthly active users. HUAWEI has partnered with 6 million registered developers across the globe.
https://www.zawya.com/en/press-release/companies-news/anghami-and-huawei-celebrate-five-years-of-collaboration-shaping-a-connected-entertainment-ecosystem-across-mena-xq7ok3rg
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INV4
8月前
Online Music Streaming Market Growing at 11.6% CAGR to Hit USD 52.6 billion by 2034
Oct 16, 2025
By service, the on-demand streaming segment is the highest revenue contributor to the market
WILMINGTON, DE, UNITED STATES, October 16, 2025 /EINPresswire.com/ -- The global online music streaming market was valued at $17.7 billion in 2024, and is estimated to reach $52.6 billion by 2034, growing at a CAGR of 11.6% from 2025 to 2034.
Request The Sample PDF Of This Report: https://www.alliedmarketresearch.com/request-sample/11521
Online music streaming refers to the real-time delivery of audio content over the internet without requiring downloads. Listeners access songs, albums, playlists, podcasts, and other audio formats through digital platforms using smartphones, computers, or smart devices. Music is transmitted from remote servers and played instantly, with audio quality adapting to internet speed. Services operate through web browsers or mobile apps and are available via free plans with ads or paid subscriptions. Online music streaming provides on-demand access to vast music libraries, as it allows flexible and continuous listening across locations and devices.
Integration of music streaming apps with smart devices and wearables has driven growth in the global online music streaming market size by enabling convenient and flexible music access across various environments. Smart speakers such as Amazon Echo and Google Nest allow users to stream music through voice commands, which reduces reliance on traditional interfaces. Smartwatches and fitness trackers equipped with music streaming capabilities support listening during exercise, travel, or daily routines, contributing to higher user engagement. Music streaming platforms benefit from increased usage frequency as listeners incorporate music into multiple aspects of daily life.
Moreover, cross-device compatibility enhances the value proposition of music streaming services by offering consistent and personalized listening experiences, driving online music streaming market share. Features such as offline playback, health data integration, and intuitive controls on smartwatches and wearables encourage users to stay subscribed to premium services. The expansion of the Internet of Things (IoT) and the rising penetration of connected devices across developed and emerging regions further amplify usage opportunities for music streaming platforms. As more consumers adopt smart technology, demand for integrated music services is expected to rise, supporting user growth, subscription revenue, and long-term online music streaming market growth.
However, challenges from piracy and illegal downloads has restrained demand for subscription-based and ad-supported services in the global online music streaming market by offering unauthorized access to music content at no cost. Pirated websites and mobile applications provide users with extensive music libraries without licensing restrictions, attracting those unwilling to pay for legitimate streaming platforms. In markets where affordability is a primary concern, free access through illegal sources reduces the incentive to subscribe to paid music streaming services. Limited adoption of legal platforms in such regions directly impacts user growth and subscription revenue.
Also, the availability of illegal downloads and streaming options affects platform monetization by reducing ad impressions and subscription conversions. Users who rely on unlicensed sources do not engage with official features such as curated playlists, offline listening, or high-quality streaming. Investment in exclusive content and technological upgrades becomes less effective when a significant portion of users bypass authorized platforms. Enforcement of copyright laws and anti-piracy regulations varies widely across countries, making piracy difficult to contain. Continued access to counterfeit music sources limits revenue generation for licensed platforms and restricts expansion of the global online music streaming market.
Furthermore, growth in AI-generated and adaptive music is creating opportunities in the global online music streaming market by supporting scalable content production and delivering personalized audio experiences. AI-generated music enables platforms to create tracks based on mood, genre, or activity without depending entirely on licensed catalogs. Cost-effective content creation expands music libraries and allows continuous delivery of fresh audio material. AI-generated tracks are often used for background settings such as meditation, work, or study, which helps platforms reach audiences who prefer ambient or functional audio over traditional songs.
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Consequently, adaptive music, which responds to user input or environmental data, increases platform engagement by offering dynamic soundtracks tailored to real-time needs, and is expected to boost growh during the online music streaming market forecast. For instance, adaptive music can synchronize with workout intensity or shift in response to focus levels during tasks. Music streaming platforms that invest in adaptive technologies can offer unique features unavailable on competitors’ services. AI-generated and adaptive formats support subscription upgrades through access to customizable playlists and exclusive experiences. Investment in artificial intelligence for content development enables music streaming platforms to attract new user segments, strengthen content differentiation, and increase time spent on platforms. All such capabilities are driving online music streaming market trends and expanding growth potential globally.
The online music streaming market is divided into service, revenue model, platform, end user, content type, and region. Based on service, the market is segmented into on-demand streaming, and live streaming. Based on revenue model, the market is bifurcated into subscription and non-subscription. Based on platform, the market is categorized into app and browser. Based on end user, the market is fragmented into individual and commercial. Based on content type, the market is segregated into audio and video. By region, the market is analyzed across North America (U.S., Canada, and Mexico), Europe (UK, Germany, France, Netherlands, Italy, Spain, and rest of Europe), Asia-Pacific (China, Japan, India, South Korea, Australia, and rest of Asia-Pacific), and LAMEA (Brazil, Argentina, South Africa, Saudi Arabia, UAE, and rest of LAMEA).
By region, North America is anticipated to dominate the global online music streaming market with the largest share during the forecast period. High adoption of subscription-based platforms, strong presence of global service providers, and early integration of streaming with smart devices have contributed to regional dominance. Major platforms such as Spotify, Apple Music, Amazon Music, and Pandora have established extensive user bases in the U.S. and Canada, supported by partnerships with telecom operators and device manufacturers.
Moreover, widespread availability of high-speed internet, strong smartphone penetration, and consistent demand for personalized audio content further strengthen market performance in North America. Growth in podcast consumption, rising popularity of non-music formats such as guided wellness audio, and continuous innovation in user experience also support expansion as noted during the online music streaming market analysis. Regional investments in AI-driven recommendations, exclusive artist releases, and localized content have helped platforms retain high user engagement. Favorable digital payment infrastructure and consumer willingness to pay for premium features make North America a leading contributor to revenue in the global online music streaming market.
The key players operating in the global online music streaming industry include Amazon, Inc. (Amazon Music), Anghami, Apple, Inc. (Apple Music), Deezer, iHeartMedia Inc., NetEase, Inc. (NetEase Cloud Music), Pandora Media, LLC, Spotify AB, TIDAL, and Tencent Music Entertainment.
https://www.einnews.com/pr_news/858679825/online-music-streaming-market-growing-at-11-6-cagr-to-hit-usd-52-6-billion-by-2034
$ANGH
INV4
8月前
Anghami and Saudi Music Commission Empower the Next Generation of Saudi Artists with Moja2
Oct 15, 2025
Building on the success of its Riyadh debut, Anghami, the leading music and entertainment streaming platform in MENA, together with the Saudi Music Commission, has released all tracks produced under the Moja2 program.
The second edition, hosted in Jeddah, put the spotlight on Saudi youth, empowering emerging talent, unleashing fresh creativity, and showcasing the Kingdom’s vibrant cultural identity.
Moja2 provided aspiring Saudi artists with a platform to develop their talent, access world-class facilities, and learn directly from renowned industry mentors. The program, designed to empower and spotlight young Saudi voices, culminated in the release of 22 original songs across four distinct genres: Indie Pop Arabic, Saudi Pop, Electronic music, and Fos’ha – Tarab. Showcasing the creativity, diversity, and innovation of the Kingdom’s music scene; what began with 92 trainees, four coaches, and five technical teams, has grown into a vibrant celebration of Saudi music, rooted in both tradition and forward-looking ambition.
The program stands as a model for creative partnerships that empower youth, foster cultural expression, and position Saudi Arabia as a hub for regional and global music innovation. Participating artists worked closely with celebrated mentors including Aziz Maraka (Indie Pop Arabic), poet Turki Al Sharif (Saudi Pop), Emdee Jabr (Electronic), and Salim Assaf (Fos’ha – Tarab), each guiding the young talents to craft authentic and original sounds.
Beyond providing a creative outlet, Moja2 reflects Saudi Arabia’s commitment to cultural innovation on both a local and global scale. It highlights how creative partnerships can empower youth, foster cultural expression, and position the Kingdom as a hub for regional and international music innovation.
The Moja2 program stands as a testament for all future collaborations, highlighting the importance of partnerships, community, as well as advancing the region’s cultural and creative industries. All songs from the Moja2 program are now live and can be enjoyed by all, only on Anghami.
https://communicateonline.me/news/anghami-and-saudi-music-commission-empower-the-next-generation-of-saudi-artists-with-moja2/
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INV4
10月前
The rise of the MENA music scene
The next wave of global music icons could very well come from the region
August 29, 2025
For decades, the global music industry has focused on dominant markets like the American, European and more recently, the K-Pop explosion from South Korea. But a new wave is emerging from an often-overlooked region: the Middle East and North Africa. Artists from the MENA music scene are blending rich cultural influences with global sounds, gaining traction on international platforms, and attracting audiences far beyond their home countries.
Streaming revenue is now the primary driver of the music industry in the MENA region, with an impressive 22.8% growth in 2024, according to the International Federation of the Phonographic Industry (IFPI)’s Global Music Report. While that figure positions MENA as a standout, a closer look reveals that sub-Saharan Africa and Latin America two similarly emerging markets weren’t far behind, with growth rates of 22.6% and 22.5% respectively.
Regardless, this surge highlights the region’s accelerating digital transformation, where music consumption is largely driven by on-demand streaming platforms opening up greater global opportunities for local artists.
It’s time for the world to pay attention—because the next wave of global music icons could very well come from this region.
A Region on the Rise
The music industry in the MENA region has undergone a rapid transformation in recent years. Streaming platforms like Anghami, Spotify, and YouTube have become powerful tools for regional artists, offering them massive exposure and the ability to connect with audiences worldwide—without being entirely dependent on traditional record labels. In fact, a recent survey revealed that 78% of respondents consider Anghami to have the best Arabic music library among streaming platforms, closely followed by Spotify at 76%. This highlights the increasing role of digital platforms in shaping the region’s music landscape and amplifying the voices of local artists.
Beyond streaming, independent labels are also paving the way for artists to thrive. Ghazi Shami, the founder of Empire, has been a key figure in this movement. Over the last 15 years, Empire has revolutionized the independent music scene, providing artists with more control over their careers. Recognizing the potential in the region, the label expanded into WANA (West Asia & North Africa) four years ago, covering the Arab world and offering artists new opportunities to break into international markets.
Alongside Empire, homegrown labels such as MDLBEAST Records and Noise Records are redefining what it means to succeed in the industry. These labels are not just nurturing new and emerging talent; they are actively pushing boundaries, fostering global collaborations, and equipping artists with the resources to showcase their music on a worldwide stage.
Asem, Co – Founder and CEO of Raad Records sees the Egyptian and broader regional music scene moving toward a cultural renaissance, one that values authenticity over imitation and embraces the richness of local heritage. With a clear departure from Western genres and influences, he believes artists are increasingly rediscovering and honoring their roots, unlocking a “latent cultural vault” that has long been overlooked. Through Raad Music, Aseem aims to redefine Arabic pop by amplifying voices that reflect the region’s diversity, complexity, and emotion. The label stands out by deeply investing in artist development crafting unique sonic and visual identities and offering a collaborative creative space where expression thrives. With a roster that spans soulful trap, Bedouin rap, genre-defying productions, and more, Raad is positioning itself as a catalyst for a more rooted, yet forward-facing music movement in the Arab world.
With a growing digital ecosystem and industry leaders investing in the region, MENA is no longer just an emerging market—it’s a powerhouse in the making.
Social media has also played a critical role, with TikTok and Instagram helping MENA artists build massive followings beyond their borders. Take, for example, Elyanna, a Palestinian-Chilean singer who became the first Arabic-language artist to perform at Coachella, showcasing a sound that merges Middle Eastern rhythms with contemporary pop and R&B and now has paved the way for different artists like. Mohammed Ramadan, Saint Levant and Bayou.
Then there’s Wegz, an Egyptian rapper whose fusion of trap and Arabic melodies has attracted millions of listeners across Africa and the Middle East. And let’s not forget Balti, the Tunisian hip-hop sensation whose music resonates with fans across Francophone countries and the Arab world. What was once a largely localized industry is now gaining momentum on the world stage. With more investment, strategic partnerships, and a growing global fanbase, MENA artists are no longer just regional stars they are becoming the next wave of global music pioneers. The world is starting to listen, and this is only the beginning.
Key Markets Paying Attention
The American music industry, in particular, has begun to recognize the potential of Arab and MENA artists. With a growing diaspora and increasing cultural curiosity, labels and streaming services are starting to push MENA talent into the mainstream. Artists like Issam Alnajjar, who went viral with “Hadal Ahbek” on TikTok, are proof that MENA music can resonate with a global audience when given the right exposure.
Similarly, Europe—home to millions of Arab expats—is an ideal launchpad for these artists. France, in particular, has seen a surge in North African influence in its music scene, with artists like L’Algérino and Soolking dominating charts. The UK, with its diverse cultural landscape, has also been a crucial market for MENA musicians blending rap, drill, and alternative music styles.
Makki, founder of Mackie Entertainment, says “the Sudanese music scene is a rapidly gaining momentum on the global stage. By opening doors for artists like Marsimba in the Middle East, he helped lay the groundwork for others to follow paving the way for rising stars like Soulja and Haleem to take it to the next level and showcase the richness and power of Sudan’s sound to the world”. Through Mackie Entertainment’s role as a cultural bridge particularly with Afrobeats and Amapiano, Makki continues to shape a more interconnected musical landscape across the Middle East and Africa, blending global influences while elevating Sudan’s unique voice.
Southeast Asia is another untapped market for MENA musicians. The region has a long history of embracing diverse music styles, from Bollywood to K-Pop, and has a growing appetite for new genres. Given the rising influence of digital streaming, Arabic music could gain a foothold in these regions, especially through viral challenges and collaborations.
A Bridge to Global Fame
While Arabic-language music is making its mark on international charts, there is an even greater opportunity for MENA artists who create music in English. These artists serve as cultural bridges, blending Middle Eastern influences with a language that dominates the global music industry, making their sound more accessible to a worldwide audience.
Faouzia, the Moroccan-Canadian singer-songwriter, is a prime example of this. With powerhouse vocals reminiscent of Adele and a unique ability to infuse Arabic melodies into her music, she has gained international acclaim, collaborating with global stars like John Legend and David Guetta. Other artists like Abir (Moroccan-American) and Tamino (Belgian-Egyptian) have also leveraged their multicultural backgrounds to craft music that resonates across both Western and Middle Eastern audiences.
Another rising star pushing boundaries is EZOW, an Emirati hip-hop artist breaking new ground in the UAE. As one of the first Emirati artist to make hip-hop music in English, EZOW has positioned himself as a pioneer in the GCC music scene. His success extends beyond streaming numbers—he has shared the stage with international icons like Tyga, Sean Kingston, and Chris Brown, performing in front of a 15,000 crowd at the Coca-Cola Arena. His impact has also been recognized outside of music, earning him a spot on the prestigious Forbes 30 Under 30 list, a first for an artist in the GCC region.
By creating music in English while incorporating MENA influences, these artists help break cultural barriers and introduce global audiences to the richness of Arabic music. This approach not only makes their music more accessible but also paves the way for mainstream collaborations with Western artists.
The Industry Must Take Action
For MENA’s rising stars to reach their full potential, the global music industry must step up. Record labels should invest in regional talent, streaming platforms should create more curated playlists featuring MENA artists, and international festivals should provide more performance slots for MENA musicians.
Albert Carter, founder of Audio Swim and Wave Studio, believes “the MENA region is on the brink of something big. With raw talent, real stories, and a cultural shift toward building locally-rooted, globally-relevant art, the momentum is undeniable”. As infrastructure catches up, he sees the real power in the growing creative community from studios like his to direct-to-consumer distribution laying a new blueprint for success in and beyond the region.
Furthermore, collaborations between Western and MENA artists should be encouraged. Just as Latin and Afrobeat artists have skyrocketed through strategic partnerships, MENA musicians can follow a similar path. Imagine a global superstar like The Weeknd featuring an Arabic singer on a track or a UAE artist collaborating with a major U.S. hip-hop artist—these are the kinds of moves that will accelerate MENA’s global music breakthrough.
The demand is already there. It’s just a matter of when—not if—the industry fully embraces it.
Written By: Sydney Miranda
https://www.esquireme.com/culture/the-rise-of-the-mena-music-scene
$ANGH
INV4
10月前
Come work with Anghami & OSN+, the entertainment leaders
We're looking for great people to join our growing team in Abu Dhabi, Beirut, Dubai, Cairo & Riyadh
Abu Dhabi, AE
Lifecycle Growth Manager
Abu Dhabi, AE | Business development
Partnerships &Marketing Campaigns Manager
Abu Dhabi, AE | Business Development
Beirut, LB
Android Engineer
Beirut, LB | Engineering
Backend Engineer
Beirut, LB | Engineering
Backend Engineer - Payments and Billing Systems
Beirut, LB | Engineering
Bilingual Copywriter
Beirut, LB | Marketing
Data Analyst
Beirut, LB | Finance
Junior Legal Councel
Beirut, LB | Legal
Partnerships Account Executive
Beirut, LB | Business Development
Product Manager
Beirut, LB | Product
Senior Backend Engineer
Beirut, LB | Engineering
Senior DevOps Engineer
Beirut, LB | Engineering
Senior Graphic Designer
Beirut, LB | Marketing
Senior UX Writer
Beirut, LB | Product
Social Media Executive
Beirut, LB | Marketing
Technical Account Executive, Telcos
Beirut, LB | Product
iOS Engineer
Beirut, LB | Engineering
Dubai, AE
Marketing Executive
Dubai, AE | Marketing
Senior Art Director
Dubai, AE | Marketing
Social Media Manager Billingual
Dubai, AE | Marketing
Riyadh, SA
Brand Marketing Manager (KSA)
Riyadh, SA | Marketing
https://anghami.breezy.hr/
=====================================
Brand Marketing Manager (KSA)
Riyadh, SA | Full-Time | Marketing
Job OpeningsBrand Marketing Manager (KSA)
About Anghami Inc:
Join the Team at Anghami Inc.!
Anghami Inc. is home to two of the region’s most dynamic digital entertainment platforms—Anghami and OSN+. Together, they’ve created a powerhouse reshaping how the Middle East and North Africa (MENA) region experiences music, premium video, podcasts, and live entertainment.
Founded in 2012, Anghami is the MENA region’s leading multimedia streaming platform, connecting a community of over 120 million users, including 2.5 million paid subscribers. With headquarters in Abu Dhabi and offices across Dubai, Beirut, Cairo, and Riyadh, Anghami proudly became the first Arab tech company listed on NASDAQ (ANGH), making it more than a platform—it’s a hub for innovation, offering diverse entertainment experiences.
In 2024, Anghami joined forces with OSN+, the region and go-to platform for premium video streaming. OSN+ is known for its exclusive HBO series, Max Originals, and a great mix of local and international content. With top partnerships with studios like Warner Bros. and NBC Universal, OSN+ brings even more exciting entertainment to the Anghami ecosystem, offering a complete experience for millions of users.
At Anghami Inc., we’re passionate about building experiences that empower users to explore, connect, and share through entertainment. The team constantly pushes boundaries, crafting tools and features that allow people to express themselves and tell their unique stories.
Be part of a team that shaping the future of entertainment in the MENA region and beyond.
About the Role:
The Brand Marketing Manager (KSA) will be responsible for initiating and executing local marketing initiatives in Saudi Arabia to drive brand awareness, customer engagement, and audience growth for OSN+ and Anghami. This is a hands-on role focused on bringing the brand to life through on-ground activations, localised campaigns, and partnerships, while ensuring alignment with the wider MENA brand strategy. The role requires close collaboration with regional and cross-functional teams, as well as external agencies and partners.
Key Responsibilities:
Local Marketing Planning and Execution:
• Lead the planning and implementation of all local marketing initiatives in KSA
• Deliver high impact campaigns that drive engagement with Saudi audiences
• Support regional campaigns with localized messaging and activation plans
On Ground Activations and Events
• Initiate and manage brand activations, events and brand partnerships in KSA
• Lead the student brand ambassador programme and community outreachinitiatives
• Ensure quality execution and a premium brand experience at every touchpoint
Digital and Social Support
• Collaborate with the social and digital teams to ensure KSA-specific content and messaging is reflected across platforms
• Identify relevant influencers and manage local partnerships to support campaigns
Agency Management
• Brief and manage local agencies for creative development and event execution
• Ensure deliverables are on time, on budget and on brand
Cross-Functional Collaboration
• Work closely with internal teams (brand, content, social, PR) to ensure alignment on campaign objectives and deliverables
• Provide regular updates on campaign performance, learnings and next steps
Local Insights and Opportunities
• Stay up to date on market trends, consumer behaviour and competitor activity in KSA
• Proactively suggest local initiatives that resonate with the Saudi audience
Qualifications and Experience
• Educations: Bachelor’s degree in marketing, Business, or a related field (MBA or equivalent is a plus).
• Experience: 5 - 7 years of experience in marketing, with at least 3 years in a managerial role, preferably within KSA market
• Experience in the Entertainment, Media or digital sectors is preferred
• Strong track record of executing local marketing campaigns and managing activations
• Familiarity with local culture and consumers
• Experience working with agencies and cross-functional teams
Competencies:
• Excellent organizational and project management skills
• Strong communicator with fluency in Arabic and English
• Creative thinker with a can-do attitude and ability to thrive in a fast-paced environment
• High attention to detail and a passion for delivering impactful brand experiences
https://anghami.breezy.hr/p/ab3ea65d4db9-brand-marketing-manager-ksa
$ANGH
INV4
10月前
OSN Group appoints Current Global as PR partner across MENA
August 26, 2025
OSN Group, the leading network for premium entertainment across the MENA region has chosen Current Global MENAT as its exclusive public relations agency.
Current Global MENAT, part of the Middle East Communications Network (MCN), will lead external communications supporting OSN Group and its divisions which include OSN+, OSNtv, Anghami and wider B2B offerings. The agency will focus on earned-first media engagement and creative campaigns to help amplify the Group’s growing portfolio of content, strategic partnerships, and new initiatives across streaming and linear platforms.
As MENA’s entertainment landscape evolves, OSN engages millions through premium international content, original productions, and regional shows. With its core platforms, including OSN+, OSN TV, and Anghami (NASDAQ: ANGH), OSN is positioned at the forefront of regional entertainment.
OSN Group was formed in 2009 by the merger of the two largest subscription TV networks in the region, namely Orbit and Showtime Arabia, and is a subsidiary of KIPCO – Kuwait Projects Company (Holding). Last year OSN Group completed a landmark merger with Anghami Inc., positioning the new entity as a significant entertainment hub in the MENA region, combining premium video streaming services with an extensive music and podcast library.
https://communicateonline.me/news/osn-group-appoints-current-global-as-pr-partner-across-mena/
======================
OSN Group appoints Current Global MENAT as regional PR partner
August 26, 2025
Current Global will lead external communications, supporting OSN Group and its divisions OSN+, OSNtv, Anghami and its wider B2B offerings.
OSN Group, a leading network for premium entertainment across the MENA region has chosen Current Global MENAT as its exclusive public relations agency.
Current Global MENAT, part of the Middle East Communications Network (MCN), will lead external communications supporting OSN Group and its divisions which include OSN+, OSNtv, Anghami and wider B2B offerings.
“OSN is bringing together technology, music and video to be the Middle East’s largest and most comprehensive entertainment streaming services,” said Peter Jacob, Managing Director, Current Global MENAT.
“As a home-grown entity with an unmatched understanding of the local market the team is changing the face of the regional streaming landscape and we’re super excited to be part of that journey and to help tell that story,” he added.
The agency will focus on earned-first media engagement and creative campaigns to help amplify the Group’s growing portfolio of content, strategic partnerships, and new initiatives across streaming and linear platforms.
OSN Group, formed in 2009 by the merger of the two largest subscription TV networks in the region, namely Orbit and Showtime Arabia, is a subsidiary of KIPCO – Kuwait Projects Company (Holding). Last year OSN Group completed a landmark merger with Anghami Inc., positioning the new entity as a significant entertainment hub in the MENA region, combining premium video streaming services with an extensive music and podcast library.
As MENA’s entertainment landscape evolves, OSN engages millions through premium international content, original productions, and regional shows. The Group’s core platforms include OSN+, OSN TV, and Anghami (NASDAQ: ANGH).
https://campaignme.com/osn-group-appoints-current-global-menat-as-regional-pr-partner/
=======================
Online Music Streaming Market is Probable to Influence the Value of $24,711.3 million by 2027
August 26, 2025
The global online music streaming market size is expected to reach $24,711.3 million by 2027 at a CAGR of 12.34% from 2021 to 2027
Online music streaming is a means of delivering music without downloading any file from the internet. Music is stored on the servers’ database and is instantly transferred to the streamer or users’ device in real time over the internet. Online music streaming services allows users to stream online music videos, audio songs, podcasts, and live performances of artists. Online music streaming service providers offer certain features such as customized playlists, song recommendations, and easy accessibility to music on both the app and browser platforms. Increase in popularity of podcasts is attracting consumers’ attention lately, and is expected to drive the growth of the global market during the forecast period. In addition, online music streaming has gained high traction in the past few years, due to surge in adoption of smart devices such as smartphones and increase in popularity of digital platforms such as Spotify, Amazon Music, and Deezer. Moreover, wide-scale penetration of internet across the globe is positively impacting the online music streaming market.
The emergence of online music streaming platforms such as Spotify and Apple Music has drastically reduced the illegal sharing and downloading of music over the internet that generated no revenue to the music labels and artists. This has notably minimized the threat of piracy, thus making online music streaming platforms a reliable option for artists and music labels such as Universal Music Publishing Group, Sony Music Entertainment, and Warner Music Group. Moreover, the constantly growing number of subscribers on music streaming platforms is increasing the audience globally. Moreover, high-quality, hassle-free services, free trials, and discounted prices offered by music streaming service providers attract a huge customer base. According to the International Federation of Phonographic Industry (IFPI), around 62.1% of the revenue of the global recorded music market comes from online streaming. These factors are anticipated to or propel the growth of the global online music streaming market during the forecast period.
The outbreak of COVID-19 pandemic boosted the growth of the global online music streaming market. During the first phase of the pandemic, certain behavioral changes prevailed among consumers. According to the Tencent Music Entertainment, people were engaged in streaming music using home appliances such as TV more than their smartphones during the lockdown. Moreover, upsurge has been witnessed in the number of subscribers on various platforms such as Spotify, Tencent Music Entertainment, and Amazon Music. People in the U.S. were streaming more of the video content rather than the audio content. Therefore, the pandemic boosted the growth of the video segment. Hence, the COVID-19 had a positive impact on the global online music streaming industry.
Market Segmentation
The online music streaming market is segmented into service, revenue model, platform, end user, content type, and region. On the basis of service, the market is bifurcated into on-demand streaming and live streaming. By revenue model, it is segregated into subscription and non-subscription based model. As per platform, it is categorized into app and browser. Depending on end user, it is differentiated into individual and commercial. According to content type, it is fragmented into audio and video content. Region wise, it is analyzed across North America (the U.S., Canada, and Mexico), Europe (the UK, Germany, France, the Netherlands, Italy, Spain, and rest of Europe), Asia-Pacific (China, Japan, India, South Korea, Australia, and rest of Asia-Pacific), and LAMEA (Latin America, the Middle East, and Africa).
On the basis of the revenue model, the subscription model was the dominating segment in 2019, due to immense increase in the number of paid subscribers in the past few years. Moreover, most of the players in the global online music streaming market operate on the non-subscription or the freemium model majorly to attract huge customer base. Spotify, the leading player in the market, focuses majorly on the subscription model, whereas Pandora, one of the major players, focuses on the freemium model.
On the basis of end user, the individual segment garnered the highest online music streaming market share of 76.3% in 2019, owing to the fact that emergence of online music streaming services have enabled users to access millions of songs easily. Moreover, changes in lifestyle of individuals, which comprise listening to music during commuting, daily chores, and exercising have propelled the growth of the individual segment. According to the online music streaming market forecast, the commercial segment is expected to grow at a promising rate, due to the development of commercial complexes, restaurants, gyms, health clubs, and malls. All these commercial spaces use music streaming services to offer a pleasing ambience to their customers.
Market Competitors
The players operating in the global online music streaming market have adopted various developmental strategies to expand their market share, exploit the online music streaming market opportunity, and increase profitability in the market. The key players profiled in this report include Amazon, Inc., Anghami, Apple, Inc., Deezer, iHeartRadio, NetEase, Inc., Pandora Media, LLC., Spotify AB, Tencent Music Entertainment, and Tidal.
Share Your Requirements & Get Customized Reports: https://www.alliedmarketresearch.com/request-for-customization/11521
Key findings of the study
• The online music streaming market size was valued at $12,831.2 million in 2019, and is estimated to reach $24,711.3 million by 2027, growing at a CAGR of 9.8% during the forecast period.
• By content type, the video segment is estimated to witness the fastest growth, registering a CAGR of 10.1% during the forecast period.
• In 2019, depending on revenue model, the subscription segment was valued at $9,586.5 million, accounting for 74.7% of the global online music streaming market share.
• In 2019, the U.S. was the most prominent market in North America, and is projected to reach $4,197.5 million by 2027, growing at a CAGR of 9.5% during the forecast period.
https://www.newstrail.com/online-music-streaming-market-growth-demand/
$ANGH
INV4
10月前
Shares Outstanding 6.69M
Market cap 20,605,200 (6.69M x $3.08)
=======================
Anghami seeks Senior Social Media manager for the MENA region
August 15, 2025
Anghami Inc., the MENA’s leading multimedia streaming platform and home to premium video service OSN+, is on the lookout for a bilingual Senior Social Media Manager to lead its social media strategy and execution across the region.
Founded in 2012, Anghami connects over 120 million users, including 2.5 million paid subscribers, to music, podcasts, premium video, and live entertainment. With headquarters in Abu Dhabi and offices in Dubai, Beirut, Cairo, and Riyadh, the company made history as the first Arab tech firm to list on NASDAQ (ANGH). Its recent partnership with OSN+—a platform renowned for exclusive HBO series, Max Originals, and top-tier international and local content—has created a powerhouse shaping the future of digital entertainment in MENA.
The Senior Social Media Manager will be responsible for building and engaging audiences for both OSN+ and Anghami across Instagram, TikTok, YouTube, Facebook, and Snapchat. The role involves leading content strategy, overseeing creative production, amplifying campaigns, and optimising performance through data-driven insights.
Key responsibilities include developing platform-specific growth strategies, collaborating with in-house and agency creatives, coordinating influencer partnerships, and ensuring a consistent brand voice. The position requires 6–8 years of experience in managing social media for high-growth brands, preferably in entertainment or digital media, and fluency in both English and Arabic.
With the MENA region’s digital entertainment landscape evolving rapidly, Anghami is positioning this role at the heart of its mission to empower users to explore, connect, and share through innovative entertainment experiences.
https://ottwatcher.com/ott/anghami-seeks-senior-social-media-manager-for-the-mena-region/
$ANGH
INV4
10月前
Online Music Streaming Market Set to Achieve a Valuation of US$ 24,711.3 million,
Riding on a 12.34% CAGR by 2027
August 1, 2025
By content type, the video segment is estimated to witness the fastest growth, registering a CAGR of 10.1% during the forecast period.
WILMINGTON, DE, UNITED STATES, August 1, 2025 /EINPresswire.com/ -- The global online music streaming market size is expected to reach $24,711.3 million by 2027 at a CAGR of 12.34% from 2021 to 2027.
Online music streaming is a means of delivering music without downloading any file from the internet. Music is stored on the servers’ database and is instantly transferred to the streamer or users’ device in real time over the internet. Online music streaming services allows users to stream online music videos, audio songs, podcasts, and live performances of artists. Online music streaming service providers offer certain features such as customized playlists, song recommendations, and easy accessibility to music on both the app and browser platforms. Increase in popularity of podcasts is attracting consumers’ attention lately, and is expected to drive the growth of the global market during the forecast period. In addition, online music streaming has gained high traction in the past few years, due to surge in adoption of smart devices such as smartphones and increase in popularity of digital platforms such as Spotify, Amazon Music, and Deezer. Moreover, wide-scale penetration of internet across the globe is positively impacting the online music streaming market.
The emergence of online music streaming platforms such as Spotify and Apple Music has drastically reduced the illegal sharing and downloading of music over the internet that generated no revenue to the music labels and artists. This has notably minimized the threat of piracy, thus making online music streaming platforms a reliable option for artists and music labels such as Universal Music Publishing Group, Sony Music Entertainment, and Warner Music Group. Moreover, the constantly growing number of subscribers on music streaming platforms is increasing the audience globally. Moreover, high-quality, hassle-free services, free trials, and discounted prices offered by music streaming service providers attract a huge customer base. According to the International Federation of Phonographic Industry (IFPI), around 62.1% of the revenue of the global recorded music market comes from online streaming. These factors are anticipated to or propel the growth of the global online music streaming market during the forecast period.
The outbreak of COVID-19 pandemic boosted the growth of the global online music streaming market. During the first phase of the pandemic, certain behavioral changes prevailed among consumers. According to the Tencent Music Entertainment, people were engaged in streaming music using home appliances such as TV more than their smartphones during the lockdown. Moreover, upsurge has been witnessed in the number of subscribers on various platforms such as Spotify, Tencent Music Entertainment, and Amazon Music. People in the U.S. were streaming more of the video content rather than the audio content. Therefore, the pandemic boosted the growth of the video segment. Hence, the COVID-19 had a positive impact on the global online music streaming industry.
Market Segmentation
The online music streaming market is segmented into service, revenue model, platform, end user, content type, and region. On the basis of service, the market is bifurcated into on-demand streaming and live streaming. By revenue model, it is segregated into subscription and non-subscription based model. As per platform, it is categorized into app and browser. Depending on end user, it is differentiated into individual and commercial. According to content type, it is fragmented into audio and video content. Region wise, it is analyzed across North America (the U.S., Canada, and Mexico), Europe (the UK, Germany, France, the Netherlands, Italy, Spain, and rest of Europe), Asia-Pacific (China, Japan, India, South Korea, Australia, and rest of Asia-Pacific), and LAMEA (Latin America, the Middle East, and Africa).
On the basis of the revenue model, the subscription model was the dominating segment in 2019, due to immense increase in the number of paid subscribers in the past few years. Moreover, most of the players in the global online music streaming market operate on the non-subscription or the freemium model majorly to attract huge customer base. Spotify, the leading player in the market, focuses majorly on the subscription model, whereas Pandora, one of the major players, focuses on the freemium model.
On the basis of end user, the individual segment garnered the highest online music streaming market share of 76.3% in 2019, owing to the fact that emergence of online music streaming services have enabled users to access millions of songs easily. Moreover, changes in lifestyle of individuals, which comprise listening to music during commuting, daily chores, and exercising have propelled the growth of the individual segment. According to the online music streaming market forecast, the commercial segment is expected to grow at a promising rate, due to the development of commercial complexes, restaurants, gyms, health clubs, and malls. All these commercial spaces use music streaming services to offer a pleasing ambience to their customers.
Market Competitors
The players operating in the global online music streaming market have adopted various developmental strategies to expand their market share, exploit the online music streaming market opportunity, and increase profitability in the market. The key players profiled in this report include Amazon, Inc., Anghami, Apple, Inc., Deezer, iHeartRadio, NetEase, Inc., Pandora Media, LLC., Spotify AB, Tencent Music Entertainment, and Tidal.
Key findings of the study
The online music streaming market size was valued at $12,831.2 million in 2019, and is estimated to reach $24,711.3 million by 2027, growing at a CAGR of 9.8% during the forecast period.
By content type, the video segment is estimated to witness the fastest growth, registering a CAGR of 10.1% during the forecast period.
In 2019, depending on revenue model, the subscription segment was valued at $9,586.5 million, accounting for 74.7% of the global online music streaming market share.
In 2019, the U.S. was the most prominent market in North America, and is projected to reach $4,197.5 million by 2027, growing at a CAGR of 9.5% during the forecast period.
Reasons to Buy this Online Music Streaming Market Report:
• Mergers and acquisitions should be well-planned by identifying the best manufacturer.
• Sort new clients or possible partners into the demographic you’re looking for.
• Suitable for providing dependable and high-quality data and analysis to assist your internal and external presentations.
• Develop tactical initiatives by gaining a better grasp of the areas in which huge corporations can intervene.
• To increase and grow business potential and reach, develop and plan licencing and licencing strategies by finding possible partners with the most appealing projects.
• Recognize newcomers with potentially strong product portfolios and devise effective counter-strategies to acquire a competitive edge.
• To develop effective R&D strategies, gather information, analysis, and strategic insight from competitors
Related Article:
https://www.globenewswire.com/en/news-release/2021/05/05/2223622/0/en/Online-Music-Streaming-Market-to-Reach-24-71-Bn-Globally-by-2027-at-9-8-CAGR-Allied-Market-Research.html
David Correa
Allied Market Research
+ 1 800-792-5285
https://www.einnews.com/pr_news/836142353/online-music-streaming-market-set-to-achieve-a-valuation-of-us-24-711-3-million-riding-on-a-12-34-cagr-by-2027
$ANGH
INV4
11月前
Anghami: 10 Key Things You Must Know
Overview
Anghami, launched in 2012, stands as the Middle East and North Africa's (MENA) premier music streaming platform and digital distribution company, headquartered in Abu Dhabi, UAE. Founded by Eddy Maroun and Elie Habib, Anghami offers a unique music experience tailored to the Arab world, providing a vast catalog of licensed Arabic and international music. With over 120 million registered users and a growing base of paid subscribers, Anghami aims to tackle music piracy while delivering high-quality digital entertainment. As you delve deeper, discover how this innovative platform has reshaped the region's music scene and its strategic maneuvers to stay ahead in the digital age.
1. Founding and Mission
Founded by Eddy Maroun and Elie Habib in Lebanon in 2012, Anghami was inspired by the need to combat rampant music piracy in the Arab world. The founders envisioned a legal and convenient platform for streaming and downloading Arabic and international music. Anghami's mission is to enrich the MENA region's digital culture by providing accessible, high-quality music content and nurturing a love for music across different languages and genres.
2. Expansion and User Base
Since its launch, Anghami has grown exponentially, reaching more than 120 million registered users as of 2024. The platform has strategically partnered with telecom operators across MENA countries to enhance its accessibility and encourage subscriptions. This extensive network has facilitated rapid growth, establishing Anghami as the leading music streaming service across countries like Saudi Arabia, UAE, Egypt, and Lebanon.
3. M&A and Strategic Partnerships
In April 2024, Anghami was involved in a significant strategic partnership with OSN+, resulting in a $55 million investment. This merger aimed to transform Anghami into a comprehensive media powerhouse, integrating both music and video streaming services. This partnership significantly expanded Anghami’s content library, incorporating premium video alongside a robust music catalog, and reinforced its leadership in MENA’s digital entertainment sector.
4. Anghami Plus Features
Anghami Plus offers subscribers a range of premium music services, including offline downloads, ad-free listening, and curated playlists. Priced competitively, the Plus plan enhances the user experience by offering high-quality streaming up to 320Kbps in Dolby format. Subscribers also gain access to exclusive releases and early access to new songs, making Anghami Plus a compelling choice for music enthusiasts in the region.
5. Content Partnerships
Anghami’s extensive music library is bolstered by partnerships with major Arabic music labels such as Rotana and Platinum Records, as well as international giants like Sony, Universal, and Warner Music. These collaborations ensure a rich and diverse catalog, giving users access to millions of songs. The platform also supports emerging artists, offering them a unique space to showcase their talent and reach a wider audience.
(Also partnerships with TikTok, Huawei, OSN etc.)
6. Technological Innovations
A significant aspect of Anghami’s success lies in its technology innovations. The platform’s use of Dolby Pulse encoding technology helps reduce the size of streamed music for faster and more reliable streaming, even with fluctuating internet speeds. Furthermore, Anghami employs sophisticated AI algorithms to enhance its music recommendation engine, ensuring a personalized listening experience for each user.
7. Cultural and Social Impact
Anghami has played a pivotal role in digitizing MENA’s rich music heritage, making Arabic music widely accessible globally. Beyond entertainment, the platform contributes culturally by hosting podcasts, live radio, and events, thus creating a vibrant community around music. Anghami’s efforts in promoting local artists and nurturing new talent have significantly impacted the region's music and cultural landscape.
8. Financial Performance and Growth
Anghami has demonstrated strong financial growth, with a substantial 18% increase in premium subscribers noted in early 2024. The platform's strategic focus on high-quality revenue channels and cost optimization has improved its margins, reflecting a move towards profitability. Despite facing economic challenges, including currency devaluation in key markets, Anghami continues to bolster its revenue through innovative business models.
9. Challenges and Market Competition
Anghami faces intense competition from global giants like Spotify and local rivals. Yet, its unique regional focus and partnerships have given it a competitive edge. Addressing challenges such as piracy and internet accessibility remains crucial while enhancing its platform's user experience to maintain its leadership position in the rapidly evolving digital music space.
10. Future Prospects
Looking ahead, Anghami aims to continue expanding its influence beyond MENA, exploring more global markets while enriching its content offerings. Emerging technologies like AI-driven personalization, augmented reality, and live streaming capabilities represent exciting avenues for future growth. Anghami’s commitment to innovation and adaptability positions it well to remain a pivotal player in the digital entertainment landscape.
Conclusion
Anghami has distinguished itself not only as a music streaming platform but as a transformative force in the MENA region’s digital ecosystem. By blending technology with cultural insights, it provides millions with access to a diverse audio-visual catalog, hence reshaping how music and entertainment are consumed. Anghami’s strategic advancements and robust partnerships signal a bright future, poised to tackle challenges and seize new opportunities in the burgeoning digital entertainment sector.
References
https://zoonop.com/articles/anghami
$ANGH
INV4
11月前
Attract institutional investors – Stocks below $5 are considered “penny stocks,” which tend to be favored by retail Often these stocks also can’t be used for collateral when margin trading—for example, Fidelity requires that equities and ETFs be priced above $3 for margin borrowing—which also deters institutions.
https://www.nasdaq.com/articles/the-impact-of-reverse-splits-on-low-priced-stocks-2021-10-28
====================
Anghami Announces 1-for-10 Reverse Stock Split
July 29, 2025
ABU DHABI, UAE, July 29, 2025 /PRNewswire/ -- Anghami Inc. (NASDAQ: ANGH) ("Anghami" or "the Company"), the leading multi-media streaming platform in the MENA region, today announces that it will implement a 1-for-10 reverse stock split of the Company's ordinary shares ("Reverse Stock Split").
The Company's ordinary shares are expected to begin trading on a split-adjusted basis when the markets open on August 4, 2025 under the Company's existing trading symbol "ANGH" with the new CUSIP number G0369L200.
The Reverse Stock Split was approved by shareholders at the reconvened Extraordinary General Meeting held on 22 July 2025. The primary purpose of the Reverse Stock Split is to regain compliance with the Nasdaq Capital Market's minimum bid price requirement for continued listing. The Reverse Stock Split will not have a dilutive effect on shareholders. In addition, the proportion of shares held by shareholders relative to the number of shares authorized for issuance will remain unchanged.
Upon effectiveness, every ten issued and outstanding ordinary shares will be combined into one issued and outstanding ordinary share. The par value of the ordinary shares will be proportionately increased, from $0.0001 per share to $0.001 per share. Additionally, the conversion or exercise prices of all convertible securities and warrants will be proportionately adjusted in line with the Reverse Stock Split. Shareholders will not receive fractional shares; instead, cash payments will be made in lieu of any fractional shares.
Continental Stock Transfer and Trust Company has been appointed as the exchange and transfer agent for the Reverse Stock Split. Shareholders holding their shares electronically are not required to take any action to receive post-split shares. Those holding shares via a bank, broker, or other nominee will have their positions adjusted automatically, and cash payments for any fractional shares will follow their respective institution's procedures.
Further details regarding the Reverse Stock Split can be found in the Company's proxy statement filed with the Securities and Exchange Commission, and on the Company's website: https://www.anghami.com/investors.
About Anghami Inc. (NASDAQ: ANGH)
Anghami is the leading multi-media technology streaming platform in the Middle East and North Africa ("MENA") region, offering a comprehensive ecosystem of exclusive premium video, music, podcasts, live entertainment, audio services, and more.
In a strategic move in April 2024, Anghami joined forces with OSN+, a leading video streaming platform, forming a digital entertainment powerhouse. This pivotal transaction strengthened Anghami's position as a go-to destination, boasting an extensive library of over 18,000 hours of premium video, including exclusive HBO content, alongside 100+ million Arabic and International songs and podcasts. The OSN+ platform delivers the latest content at the same time as the US, including critically acclaimed must-see series and movies as well as world-class Arabic content and OSN+ Originals.
With a user base exceeding 120 million registered users and 3.5 million paid subscribers, Anghami has partnered with 47 telcos across MENA, facilitating customer acquisition and subscription payment, in addition to establishing relationships with major film studios, entertainment giants, and music labels, both regional and international. Headquartered in Abu Dhabi, UAE, Anghami operates in 16 countries across MENA, with offices in Beirut, Dubai, Cairo, and Riyadh.
To learn more about Anghami, please visit: https://anghami.com. Any questions for the Investors Relations Department can be emailed to IR@anghami.com
Link article
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Anghami (ANGH) | Filing Date 2025-07-29
https://www.sec.gov/Archives/edgar/data/1871983/000121390025068451/0001213900-25-068451-index.htm
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11月前
Info about Warner Bros. Discovery (WBD):
Who Owns Warner Brothers: Shareholder List
Warner Bros. is one of the most iconic names in global entertainment. Many wonder who owns Warner Brothers today, especially after its recent mergers and transformations. This article takes a deep dive into its ownership, structure, revenue, and affiliated companies.
History of Warner Brothers
Warner Bros. was founded in 1923 by four brothers—Harry, Albert, Sam, and Jack Warner. The studio quickly became a leader in motion picture production. It gained prominence through the first “talkie,” The Jazz Singer, in 1927. Over the decades, Warner Bros. expanded into television, animation, video games, and more.
In the 1980s, the company was acquired by Time Inc., eventually forming Time Warner. Later, it merged with AOL and then split. In 2018, AT&T bought Time Warner, renaming it WarnerMedia. In 2022, WarnerMedia merged with Discovery, Inc. to form Warner Bros. Discovery.
Who Owns Warner Brothers Discovery: Major Shareholders
https://brandsownedby.com/wp-content/uploads/2025/04/Who-Owns-Warner-Bros-Largest-Shareholders.png
Warner Bros. Discovery (NASDAQ: WBD) is a publicly traded company with a diverse ownership structure comprising institutional investors, insiders, and retail shareholders.
As of 2025, institutional investors hold approximately 60% of the company’s shares, insiders own about 9%, and the remaining 31% is held by the general public.
Vanguard Group Inc.
Vanguard is the largest institutional shareholder of Warner Bros. Discovery, holding approximately 10.17% of the company’s total shares, which equates to around 248.57 million shares valued at $1.85 billion as of June 2024. Vanguard’s significant stake gives it considerable influence over corporate decisions, although it does not engage in day-to-day management.
BlackRock Inc.
BlackRock holds approximately 6.76% of Warner Bros. Discovery’s shares, amounting to about 165.19 million shares valued at $1.23 billion as of June 2024. As a major institutional investor, BlackRock’s stake allows it to participate in shareholder votes and influence corporate governance.
State Street Corporation
State Street owns about 6.37% of Warner Bros. Discovery, with holdings of approximately 156.45 million shares valued at $1.63 billion. State Street’s role as a custodian bank and asset manager positions it as a significant institutional investor in the company.
Advance Publications Inc.
Advance Publications, through various entities, holds a substantial insider stake in Warner Bros. Discovery. Steven O. Newhouse, associated with Advance, owns approximately 16.15% of the company, equating to around 396.41 million shares valued at $4.12 billion. This significant insider ownership provides Advance with considerable influence over the company’s strategic direction.
Harris Associates L.P.
Harris Associates holds about 3.89% of Warner Bros. Discovery, with approximately 95.52 million shares valued at $992.44 million. As a value-focused investment firm, Harris Associates’ stake reflects its confidence in the company’s long-term prospects.
Geode Capital Management LLC
Geode Capital Management owns approximately 2.34% of Warner Bros. Discovery, amounting to around 57.44 million shares valued at $596.82 million. Geode’s investment represents its role in managing index funds and passive investment strategies.
Invesco Ltd.
Invesco holds about 1.73% of Warner Bros. Discovery, with approximately 42.47 million shares valued at $441.24 million. As a global investment management firm, Invesco’s stake indicates its interest in the media and entertainment sector.
Newport Trust Company
Newport Trust Company owns approximately 2.1% of Warner Bros. Discovery, with holdings of about 51.21 million shares valued at €709.4 million. Newport Trust manages assets on behalf of other investors, and its stake in Warner Bros. Discovery reflects its fiduciary responsibilities.
Sessa Capital IM, L.P.
Sessa Capital holds around 0.96% of Warner Bros. Discovery, owning approximately 23.45 million shares valued at €324.9 million. As a hedge fund, Sessa Capital’s investment indicates its strategic interest in the company’s performance.
Who is the CEO of Warner Brothers?
David Zaslav is the President and Chief Executive Officer of Warner Bros. Discovery (WBD), a position he has held since the company’s formation in April 2022 following the merger of WarnerMedia and Discovery, Inc. As of 2025, Zaslav continues to lead WBD, overseeing its diverse portfolio of media and entertainment assets.
Annual Revenue and Net Worth of Warner Bros.
As of 2025, Warner Bros. Discovery (WBD) reported a total revenue of $40.21 billion, reflecting a modest increase of 0.61% compared to the previous year’s revenue of $39.97 billion. The company’s net worth, measured by market capitalization, stood at $27.21 billion as of April 2025. In 2024, WBD’s net income was $(11.3) billion, impacted by a $9.1 billion non-cash goodwill impairment charge in the Networks segment and $7.5 billion in pre-tax acquisition-related amortization and restructuring expenses. Despite these challenges, the company generated a free cash flow of $4.4 billion in 2024, demonstrating strong operational cash generation. WBD’s Direct-to-Consumer (DTC) segment showed significant growth, with the streaming platform Max reaching 116.9 million subscribers by the end of 2024, an increase of 6.4 million from the previous quarter. Looking ahead, WBD anticipates continued growth in its DTC segment, targeting 150 million global subscribers by 2026. The company also plans to expand Max into new international markets, including Germany and Italy, in early 2026.
Companies Owned by Warner Brothers
As of 2025, Warner Bros. Discovery (WBD) has expanded its portfolio to include a diverse array of subsidiaries and brands across various sectors of the media and entertainment industry.
Below is an overview of the major companies and brands owned by Warner Bros. Discovery:
Warner Bros. Entertainment
HBO
Max
CNN Worldwide
DC Entertainment
TNT Sports
Discovery Channe
Food Network
HGTV
TLC
Animal Planet
Cartoon Network
Adult Swim
Turner Classic Movies (TCM)
Warner Bros. Games
BluTV
The CW
OSN Streaming Ltd., Anghami (ANGH)
Flagship Entertainment Group
https://brandsownedby.com/who-owns-warner-brothers/
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Warner Bros invests in Dubai's OSN in Middle East streaming drive
March 24, 2025
The deal will be conducted in stages and is subject to conditions that include regulatory approvals Warner Bros Discovery has announced a minority investment in Dubai's OSN Streaming, driving its presence in the Middle East.
The deal will “reinforce its commitment to the region's fast-growing landscape” the US global media and entertainment conglomerate said on Monday. Warner Bros will pay $57 million for a third of OSN Streaming – known to viewers as OSN Plus – said Joe Kawkabani, chief executive of parent company OSN Group.
"They're making a big statement. They're endorsing the story of OSN," he said, which has gone through big changes over the past three years. It has transformed from a pay TV network to streaming, to the launch of OSN Plus and the separation of OSN TV. The deal will be conducted in stages and is subject to conditions that include regulatory approvals.
"The angle of the deal is not financial. It's strategic," Mr Kawkabani told The National. Content production, knowledge transfer, and expanding in the region and globally together is the main benefit, he added.
"Where they are counting on us is for everything related to localisation ... localisation of the service, local taste, etc." Jamie Cooke, executive vice president and managing director for Central Europe, Turkey and the Middle East at Warner Bros, said: “OSN has been a great partner and custodian of our content, making this a natural step for WBD."
“Through this deal, we’re delighted to announce that both OSN and Warner Bros Discovery will invest in high-quality, locally produced content, ensuring a richer and more diverse offering for viewers.”
Creating a local slate of premium content that is differentiated from the rest of what's available is the goal of the deal, with content that is relatable to Middle East audiences. It will also create content from the region that is original to a global audience, he added.
"They want some specific regional stories, and we believe that the market here as well needs to see premium content basically similar to HBO content, or other premium content Warner produces, but about local stories," Mr Cooke said.
Mr Kawkabani said OSN will be able to expand its investment in local content and “broaden its reach beyond Mena to a global audience” on back of the deal. In the reverse, OSN aims to tap into WBD's about 117 million subscribers. Disney+ carries about 124.6 million subscribers while leading streaming platform Netflix has about 302 million.
Streaming is very fragmented and competitive space, globally and regionally, he explained. "This is why we're looking at Warner Brothers and saying, together, we're better than apart," he added.
Monday's announcement of Warner Brothers' seat at the table on OSN is not an all-sum matter, said OSN's chief executive.
"It's not at the stage today of saying we know exactly that we're going to be producing two things, and it's going to be x and y. No, no, it's a whole slate. It takes time to develop," said Mr Kawkabani. "That takes multiple years.
"The intention is, right now, that the shareholders sit together and put together an actionable plan," he added.
The partnership between the companies extends years before today's announcement. In May last year, OSN signed a deal with Warner Bros that guaranteed it exclusive regional rights to all new content from Max Originals and first premiere rights to Warner Bros Pictures. This opened the path for major films such as Barbie and Dune: Part Two to be on OSN platforms.
OSN Streaming merged with regional home-grown brand, the Nasdaq-listed Anghami, in late 2023, where OSN Group paid $50 million. The deal was set to bring in $100 million, 120 million registered users, and also 2.5 million paying customers.
Before that, the Dubai-based streamer signed a multiyear licensing agreement with HBO, owned by Warner Bros., to stream content from the American pay TV network in 2022. This is in addition to exclusive film catalogue rights last year.
In the case of Warner Bros, Monday's announcement marks its latest investment into a regionally founded and based streaming service. Its previous acquisition was in 2023 when it fully acquired Turkish streaming service BlueSky, Turkey's first local subscription video-on-demand service.
OSN Group operates in 22 countries offering local TV series and films delivering content over platforms including OSN+ and Anghami. Warner Bros is available in more than 220 countries and includes products such as CNN, Discovery Channel and TNT Sports.
https://www.thenationalnews.com/future/technology/2025/03/26/warner-bros-invests-in-dubais-osn-in-middle-east-streaming-drive/
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Warner Bros backs Dubai’s in Mideast Streaming Push OSN
March 24, 2025
Warner Bros Discovery is taking a minority stake in Dubai-based OSN streaming Ltd. in a bid to capture a slice of the fast growing Middle Eastern entertainment market.
https://www.bloomberg.com/news/articles/2025-03-24/warner-bros-backs-dubai-s-osn-in-mideast-streaming-push
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Anghami (ANGH): Mr. Cooke's appointment to the Board of Directors
July 23, 2025
Anghami Inc. (the "Company") today announced the appointment of James Cooke to the Board of Directors of the Company. Mr. Cooke's appointment to the Board of Directors was effective July 23, 2025. He is the Group Senior Vice President and General Manager for CEE, North Africa and Turkey at Warner Bros. Discovery. Mr. Cooke is responsible for non-scripted content acquisition across EMEA.
https://www.sec.gov/Archives/edgar/data/1871983/000121390025067359/ea025002701-6k_anghami.htm
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