BEIJING, May 20, 2024
/PRNewswire/ -- Altay in Northwest
China's Xinjiang Uygur Autonomous Region is no stranger to
tourists, as the prefecture is home to vast landscapes, rich
culture and diverse ethnic traditions.
A recent popular TV series To the Wonder, based on the
adaptation of novel My Altay by
author Li Juan and directed by Teng
Congcong, has once again put the spotlight on the nomadic life in
the region.
The eight-episode TV series, initially released by content
platform iQiyi on May 7, has
dominated social media discussions this week and now sitting at the
top of Chinese view-rating site Douban scoring 8.8 out of 10. The
unexpected wide recognition, including being shortlisted with other
seven TV series to compete at the Cannes International Series
Festival, came as a pleasant surprise to Teng and her team.
While they initially set out to create a small-scale web series,
the positive reception reaffirmed their belief in the power of
storytelling to bridge cultures and foster understanding.
"We weren't thinking about going overseas at the very beginning.
We didn't think about going to Cannes or even being broadcasted on China
Central Television [the national broadcaster]," Teng told the
Global Times on Tuesday. "Originally, we just wanted it to be a
costeffective web series."
Central to the series is its portrayal of the clash between
tradition and modernity of the local people, a theme that also
resonates deeply in other parts of the world.
"I think one reason [for being shortlisted] must be our theme...
The collisions between nomadic culture and urban lives may lead to
the gradual disappearance of ancient cultural traditions," Teng
said.
"The many surprises that came afterward, I think it's really
because we worked hard to create a good work."
Teng's decision to adapt Li's collection of essays into a TV
series was made before 2018 when she discovered the "rare gem" that
was Li's prose, resonating with its themes such as self-discovery
and the beauty of Altay's landscapes.
Early groundwork
Reflecting on her first encounter with Li's writings, Teng
recalls being captivated by the evocative descriptions of Altay's
beauty and the profound insights into local life. This initial
fascination planted the seed for what would later become a passion
project spanning several years.
The groundwork of the series started in 2020 when Teng and her
crew started local exploration in Altay and conducted interviews
with local people. Shooting of the series started in April 2023 and lasted 56 days.
To ensure an authentic portrayal of local life, Teng and her
team hired a consulting team of four experts from Beijing-based Minzu University of China to check on-site if the details, from
costumes to dialogue, in the TV series are correct when filming the
scenes.
"We had a dedicated team of folk culture consultants. Whether
it's the preparation of props and costumes, the translation of the
script or the pronunciation of the actors, there is a specialized
team of folk culture consultants to help us oversee everything,"
Teng revealed.
"There are some aspects of ethnic cultural elements during
filming, and they also have to assist us in verification. For
example, we had weddings and rituals, and we needed guidance on how
to bind the sheep during a ceremony, and how people should dance
and undress at the wedding."
The male protagonist Yu Shi had
spent half a year to learn the Kazak language rather than using a
dubbing speaker to make his role more natural when filming.
"Since I couldn't understand the Kazak language, I needed them
to ensure the accuracy of the actors' lines. I focus on
performance, and they help ensure the accuracy of language
interpretation," Teng said.
Passionate mentality
Despite facing time constraints and adverse weather conditions
during the shooting, the director fostered a positive work
atmosphere, fueled by the team's shared enthusiasm for the
project.
"The working atmosphere has always been very good because
everyone is excited about this theme, although it's very arduous,
with continuous unexpected events, everyone's mentality is very
positive," she said. "I think this excitement also comes from love
and passion."
Whether it's the universal themes of love and self-discovery or
the authentic depiction of Altay's culture, the series strikes a
chord with viewers. Teng said she believes that the success of the
series lies in its ability to connect with audiences on a human
level.
"I think what will attract people is that everyone communicates
sincerely, even if I sincerely disagree with you, but I sincerely
respect you," she told the Global Times. "This should actually be a
very important part of human nature, the yearning for truth,
goodness, and beauty."
A clip featuring female protagonist Li Wenxiu, who is played by
actress Zhou Yiran, arguing with her
mother Zhang Fengxia, played by
actress Ma Yili, on whether the
daughter is a "useful" person, was widely circulated on social
media. Zhang won the argument as she told her daughter you were not
born to serve others to be "useful."
Audiences hailed that the series healed their "spiritual
exhaustion," but Teng believed it is just a production of current
time.
"Many of the audiences, especially the young generation, have a
mentality of rejecting the rat race, refusing to say how much money
they have to earn, what kind of house they have to buy, or even
getting married just to meet their parents' expectations," Teng
said.
"Instead of being evaluated by others as whether you are a
useful person to society, or how other people's children are doing,
I think the audience is gradually liberating themselves from these
[social and psychological] burdens."
View original
content:https://www.prnewswire.com/news-releases/global-times-tv-series-to-the-wonder-captivates-audiences-with-authentic-portrayal-of-altays-nomadic-life-302149901.html
SOURCE Global Times